panaloko. com
panaloko. com
panaloko. com
Corporation of Shepherdstown launches new, improved website'Disbelief' - Phil Foden opens up on Man City form ahead of Liverpool FC game
PHOTOS: A weekend of birding and tranquil beauty in Nyungwe National Park
Global stocks mostly rose Thursday following strong earnings from artificial intelligence leader Nvidia as bitcoin prices zoomed near $100,000 and oil prices rose. Nvidia itself had a volatile day, finishing modestly higher after several reversals. The chip company reported a whopping $19 billion in profits, although investors wondered if its current rate of stupendous growth is sustainable. Javascript is required for you to be able to read premium content. Please enable it in your browser settings.Parliament has been paralyzed for almost two months. Here's what's behind the impasse — and why a reprieve may only be temporary
EAST LANSING, Mich. — The sight was a common one for Andrew Kolpacki. For many a Sunday, he would watch NFL games on TV and see quarterbacks putting their hands on their helmets, desperately trying to hear the play call from the sideline or booth as tens of thousands of fans screamed at the tops of their lungs. When the NCAA's playing rules oversight committee this past spring approved the use of coach-to-player helmet communications in games for the 2024 season, Kolpacki, Michigan State's head football equipment manager, knew the Spartans' QBs and linebackers were going to have a problem. "There had to be some sort of solution," he said. As it turns out, there was. And it was right across the street. Kolpacki reached out to Tamara Reid Bush, a mechanical engineering professor who not only heads the school's Biomechanical Design Research Laboratory but also is a football season ticket-holder. Kolpacki "showed me some photos and said that other teams had just put duct tape inside the (earhole), and he asked me, 'Do you think we can do anything better than duct tape,?" Bush said. "And I said, 'Oh, absolutely.'" Bush and Rylie DuBois, a sophomore biosystems engineering major and undergraduate research assistant at the lab, set out to produce earhole inserts made from polylactic acid, a bio-based plastic, using a 3D printer. Part of the challenge was accounting for the earhole sizes and shapes that vary depending on helmet style. Once the season got underway with a Friday night home game against Florida Atlantic on Aug. 30, the helmets of starting quarterback Aidan Chiles and linebacker Jordan Turner were outfitted with the inserts, which helped mitigate crowd noise. DuBois attended the game, sitting in the student section. "I felt such a strong sense of accomplishment and pride," DuBois said. "And I told all my friends around me about how I designed what they were wearing on the field." All told, Bush and DuBois have produced around 180 sets of the inserts, a number that grew in part due to the variety of helmet designs and colors that are available to be worn by Spartan players any given Saturday. Plus, the engineering folks have been fine-tuning their design throughout the season. Dozens of Bowl Subdivision programs are doing something similar. In many cases, they're getting 3D-printed earhole covers from XO Armor Technologies, which provides on-site, on-demand 3D printing of athletic wearables. The Auburn, Alabama-based company has donated its version of the earhole covers to the equipment managers of programs ranging from Georgia and Clemson to Boise State and Arizona State in the hope the schools would consider doing business with XO Armor in the future, said Jeff Klosterman, vice president of business development. XO Armor first was approached by the Houston Texans at the end of last season about creating something to assist quarterback C.J. Stroud in better hearing play calls delivered to his helmet during road games. XO Armor worked on a solution and had completed one when it received another inquiry: Ohio State, which had heard Michigan State was moving forward with helmet inserts, wondered if XO Armor had anything in the works. "We kind of just did this as a one-off favor to the Texans and honestly didn't forecast it becoming our viral moment in college football," Klosterman said. "We've now got about 60 teams across college football and the NFL wearing our sound-deadening earhole covers every weekend." The rules state that only one player for each team is permitted to be in communication with coaches while on the field. For the Spartans, it's typically Chiles on offense and Turner on defense. Turner prefers to have an insert in both earholes, but Chiles has asked that the insert be used in only one on his helmet. Chiles "likes to be able to feel like he has some sort of outward exposure," Kolpacki said. Exposure is something the sophomore signal-caller from Long Beach, California, had in away games against Michigan and Oregon this season. Michigan Stadium welcomed 110,000-plus fans for the Oct. 26 matchup between the in-state rivals. And while just under 60,000 packed Autzen Stadium in Eugene, Oregon, for the Ducks' 31-10 win over Michigan State three weeks earlier, it was plenty loud. "The Big Ten has some pretty impressive venues," Kolpacki said. "It can be just deafening," he said. "That's what those fans are there for is to create havoc and make it difficult for coaches to get a play call off." Something that is a bit easier to handle thanks to Bush and her team. She called the inserts a "win-win-win" for everyone. "It's exciting for me to work with athletics and the football team," she said. "I think it's really exciting for our students as well to take what they've learned and develop and design something and see it being used and executed." Get local news delivered to your inbox!
XoMotionTM, The World's Most Advanced Medical Exoskeleton, Honored with CES 2025 Innovation AwardFormer President Jacob Zuma has claimed that if his political party, uMkhonto weSizwe (MK), were governing South Africa, poverty would no longer exist. Zuma made the remarks on Saturday while addressing hundreds of MK supporters at a rally held at the Vosloorus Stadium. The event was part of a series of celebrations marking the party’s upcoming first anniversary on December 15. Zuma used much of his speech to reflect on what he described as the party’s core mission: reclaiming South Africa for black citizens and addressing the enduring issues of inequality and poverty. “We wanted to take back the country and govern it properly. In fact, we should have been the government because there would have been no poverty right now,” Zuma told the crowd. Zuma also suggested that the MK Party was founded as a vehicle to free black South Africans from systemic suffering and poverty, asserting that the ANC had failed to fully realize these goals. After delivering his one-hour address, Zuma closed his speech with his signature song, much to the delight of his supporters. Meanwhile, the Jacob Zuma Foundation spokesperson, Mzwanele Manyi, clarified Zuma’s ongoing ties to the ANC, despite his recent expulsion from the party. “President Zuma is consulting his comrades within the ANC, his branch, region, and province. At some point, he will decide whether to take the matter to the ANC’s national conference or court,” Manyi said, noting that Zuma must exhaust all internal avenues before pursuing legal action. Earlier this month, Zuma’s appeal against his expulsion was dismissed by the ANC’s national disciplinary committee. The party had removed him for bringing the organization into disrepute by forming and actively campaigning for another political party. Some supporters at the rally expressed confidence in the MK Party’s future, with a few boldly predicting that it could one day surpass the ANC in influence. As tensions between Zuma and the ANC persist, the MK Party continues to position itself as a new political force aiming to challenge the status quo.
Nio ( NIO 2.98% ) told investors it hit a critical milestone in becoming a self-sustaining business. *Stock prices used were the afternoon prices of Nov. 20, 2024. The video was published on Nov. 22, 2024.Trump calls Florida meeting with PM Trudeau productive amid stiff tariff threat
PITTSBURGH (AP) — Pittsburgh Steelers tight end Darnell Washington was minding his own business during practice recently, doing his due diligence while running his route when the ball suddenly came his way. Read this article for free: Already have an account? To continue reading, please subscribe: * PITTSBURGH (AP) — Pittsburgh Steelers tight end Darnell Washington was minding his own business during practice recently, doing his due diligence while running his route when the ball suddenly came his way. Read unlimited articles for free today: Already have an account? PITTSBURGH (AP) — Pittsburgh Steelers tight end Darnell Washington was minding his own business during practice recently, doing his due diligence while running his route when the ball suddenly came his way. Washington wasn’t sure what option he was on the play. he certainly wasn’t first. Probably not even second. Maybe not even third. Washington was on the back side all by his lonesome while a sea of wide receivers and running backs zig-zagged across quarterback Russell Wilson’s field of vision. Only, Wilson didn’t like what he saw. Not enough to throw it anyway. So he pivoted to his left and found Washington wide open for a big gain. Asked if he was surprised to find the ball in his hands, Washington nodded. “A little bit,” he said. “I don’t know. I don’t know what was going on with the other people.” Wilson did. He almost always seems to these days for the first-place Steelers (9-3), who find themselves atop the AFC North behind the play of their resurgent 36-year-old quarterback, who has taken a decidedly democratic approach to resurrecting his career. The nine-time Pro Bowler threw the ball to 10 different players while piling up 414 yards last week against the Bengals. Sure, mercurial star George Pickens got the ball. But so did Washington. And third tight end MyCole Pruitt. And wide receiver Ben Skowronek, who turned his second catch of the season into a 23-yard gain on a drive that ended with one of Wilson’s three touchdown passes. “You never know when it’s coming your way,” Skowronek said. Not with Wilson at the controls. Fourteen different players have at least one catch this season for the Steelers. That includes Mike Williams, whose lone grab a month since being acquired from the New York Jets is a 32-yard rainbow for the winning score in the final minutes against Washington. It also includes Skowronek, who spent the early portion of the season on injured reserve and worried he’d sort of lost his place in line while he rehabbed. Skowronek and his teammates have quickly learned that with Wilson, there is no “line.” During his six starts since returning from a calf injury, Wilson has thrown it wherever, whenever. “It’s like in baseball,” said Wilson, a former minor league second baseman. “You’ll never hit a home run if you don’t swing. And I really believe that you’ve got to swing, you’ve got to trust guys. You’ve got to be able to trust yourself.” Something that hasn’t been an issue for Wilson for years, even if he arrived in Pittsburgh at a crossroads following an abrupt fall from grace in Denver. The Steelers couldn’t sign Wilson to a one-year deal for the veteran minimum fast enough, and Wilson wasted little time building a rapport with players who were relative strangers. What began with throwing sessions in San Diego has morphed into team dinners and Friday nights where Wilson and first-year offensive coordinator Arthur Smith will hole themselves up in the team facility poring over tapes and bouncing ideas off each other until their wives call wondering where they are. On game days, that work manifests itself in various ways. It’s tight end Pat Freiermuth drifting toward an open area while Wilson scrambles, as he did two plays after Skowronek’s grab for a 25-yard touchdown. It’s Wilson calling an audible at the line of scrimmage late against Cincinnati to hit Van Jefferson for a 43-yard gain that led to a clinching field goal. It’s not just good for the stat sheet, it’s good for the vibes. “Morale is a big part,” Smith said. Guys who want to be invested. Spreading it around is beneficial in a myriad of ways. It means players don’t feel they are “decoys on every play,” as Smith put it. It also means once you put it on film, it means opponents have to find a way to defend it. And the more things an opponent has to defend, the better for an offense, particularly one led by a quarterback who will make his 195th start on Sunday when Cleveland (3-9) visits. “Russ has seen every coverage,” Skowronek said. “He’s ran all these concepts before. So he knows progressions like probably the back of his hand.” Besides, Wilson knows he can’t just preach about the importance of being unselfish without practicing it a little bit too. That means giving opportunities to those who have worked for it, no matter where they might fall on the depth chart. “I think that the best part about it is that we’re all super close,” Wilson said. “And I think that bond is really everything too, and just the understanding of each guy and the relationships that we have together, it’s fun. We’re having a great time.” It sure looks like it. The Steelers are averaging a healthy 28.7 points since Wilson recovered from a calf injury that forced him to watch the first six games from the sideline. For the first time in a long time, Pittsburgh no longer has to rely exclusively on its defense to get by. Winnipeg Jets Game Days On Winnipeg Jets game days, hockey writers Mike McIntyre and Ken Wiebe send news, notes and quotes from the morning skate, as well as injury updates and lineup decisions. Arrives a few hours prior to puck drop. While Mike Tomlin will never get comfortable with the idea of getting into a shootout — blame his defensive coaching roots before taking over in Pittsburgh in 2007 — it’s nice to know his team can match opponents score for score if necessary. Another one could be looming against the Browns, who piled up more than 500 yards in a loss to Denver on Monday night. If one materializes, Wilson is ready to do whatever is necessary and find whoever is necessary, regardless of pedigree, salary or resume. “We got to love that part of it,” Wilson said. “We can’t fear it. We’ve got to want it. We’ve got to expect it. We’ve got to embrace it. We’ve got to challenge that. We’ve got to be in those moments and be locked into that moment. I think we do an extremely good job of that.” ___ AP NFL: https://apnews.com/hub/nfl Advertisement Advertisement
Texas Supreme Court overturns ruling that state Attorney General Ken Paxton testify in lawsuit
Baidu (BIDU) Q3 2024 Earnings Call Transcript
Hawks have little trouble pinning Raptors with 10th straight lossThe music industry is in constant transformation, driven by the advancement of technology and new forms of artistic creation. Enter All Music Works, a record label based in Málaga, Spain, that exclusively focuses on music and artists developed through artificial intelligence (AI). Founder Carlos Zehr spoke with Billboard Español about their innovative approach, the challenges they face, and how they might redefine the rules of the game in the music scene. “This project was born out of personal frustration,” says Zehr. “I’ve always been passionate about music. I studied piano from a young age and have been a voracious consumer of concerts and festivals. But when I wanted to produce my own music, I encountered limitations in time, skills, and resources to achieve what I envisioned.” That barrier led him to explore AI tools applied to music production, a path that transformed his perspective: “I achieved results that were not only impressive in quality but also explored sounds and styles that I would like to hear in the current market.” Zehr has a diverse background combining marketing, technology , and entrepreneurship. A 2014 graduate of the University of Granada, where he studied business administration and management, he has held leadership positions in marketing agencies and video game studios. In 2020, he founded Noname Hub, an agency focused on branding and innovation; and in 2022, he launched Nonoki, a music and video streaming platform that became one of the most popular apps in Spain and South Korea. Both projects are still active today. Unlike other projects that have used AI to launch individual virtual artists, such as bands associated with video games like League of Legends , All Music Works proposes a much more ambitious approach: the creation of a collective of artists with their own stories, personalities and musical styles. “We design each artist’s personality, visual style and musical genres from scratch,” says Zehr. “It all starts from a human process, with a detailed study and creative approach that we then augment with AI.” The initial catalog includes 10 virtual artists from genres as diverse as indie rock, reggaetón, alternative trap and drum & bass. Among them are The Good Dog, a group that fuses Britpop and garage rock, and Cielo Roto, a Madrid-based band that mixes indie, rock and cumbia. But All Music Works is only just beginning. “From here, we will be launching capsules with three new artists in the coming months, while continuing to push the trajectory of current artists,” says Zehr. The next step is to bring All Music Works’ virtual artists to the stage. The company is now developing various formats of presentation, from DJ sets to immersive experiences, depending on the identity of each artist. However, its main focus is on hologram technology. “We are collaborating with production companies and advancing in research to implement holograms in our performances,” says Zehr. “We want the experience to be as impactful as it is innovative.” The goal is not only to generate curiosity but to consolidate the company as a leader in an emerging industry around virtual artists that combines creativity and technology. Being a pioneer in such a disruptive area is not without its challenges. Zehr acknowledges that, although the concept has generated curiosity and admiration, All Music Works has faced criticism and questions about authenticity and ethics around the use of AI. Being a trendsetter is “positive because we are blazing a trail,” he says, “but it also means being the first to face legal, ethical and creative challenges.” All Music Works does not intend to replace human talent but rather to expand the creative landscape. “We are offering something that would not be possible without technology, but the human element remains essential,” he says. For him, AI is a powerful tool, not a substitute, because the creative process is still anchored in human intervention, from the conceptualization of the artists down to the most technical details. “We use technology to extend the limits of what we can achieve,” he says. Being a pioneer in such a disruptive area is not without its challenges. Zehr acknowledges that All Music Works has faced criticism and questions about authenticity and ethics around the use of AI. Being a trendsetter is “positive because we are blazing a trail,” he says, “but it also means being the first to face legal, ethical and creative challenges.” From the lyrics to the musical arrangements, every piece of music is precisely designed, adjusting details such as key or tempo to convey the desired emotions. This approach not only allows for the exploration of new styles but also ensures the authenticity of the creations. According to Zehr, the company has generated unexpected interest in the music community. “We’ve received a flood of requests from real composers and musicians who want to work with us,” he says. The team is also preparing to tackle legal challenges. Operating in as-yet unregulated terrain, the company is helping to set precedents for the industry, hand in hand with expert lawyers. “We are helping to define how these issues will be handled in the future,” Zehr stresses. According to Zehr, the company has generated unexpected interest in the music community. “We’ve received a flood of requests from real composers and musicians who want to work with us,” he says. In addition to its catalog of artists, the label is exploring collaborations with brands to develop virtual artist ambassadors. This approach offers an innovative way for brands to connect with their audiences through personalized and creative experiences. All Music Works is launching at the beginning of what could be a new era in music, challenging established norms and offering new possibilities for artists and the industry. “The question is not whether music will change with technology, but how we are going to adapt to this change,” says Zehr.
FIFA Club World Cup 2025 teams
