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slot machine images NoneMOON TOWNSHIP, Pa. (AP) — Zach Tanner threw two touchdown passes to Shawn Charles and Robert Morris ended the season with a 31-13 win over Stonehill on Saturday. Tanner and Charles hooked up for an 86-yard score on the second snap for the Colonials (7-5, 4-2 Northeast Conference) and then went for 51 yards to make it 21-0 after one quarter. Tanner was 13 of 20 for 268 yards with two interceptions. Charles caught four passes for 149 yards. DJ Moyer capped a 69-yard drive in the first quarter with a 1-yard plunge. Danny Hurley kicked two field goals to help get the Skyhawks (1-10, 0-6) within eight points but a field goal and a Turner Schmidt fumble recovery for a score wrapped up the game for Robert Morris. AP college football: and . Sign up for the AP’s college football newsletter:NEW YORK , Nov. 21, 2024 /PRNewswire/ -- Report with market evolution powered by AI - The global live music market size is estimated to grow by USD 35.56 billion from 2024-2028, according to Technavio. The market is estimated to grow at a CAGR of 17.38% during the forecast period. Growing demand for live music experiences is driving market growth, with a trend towards rise in adoption of virtual and hybrid live music experiences. However, privacy and security concerns over online ticket booking platforms poses a challenge.Key market players include Alliance Tickets, Bassett Events Inc., Coast To Coast Tickets LLC, CTS Eventim AG and Co. KGaA, Eventbee Inc., Eventbrite Inc., Event.com Inc., Live Nation Entertainment Inc., Lyte Inc., SeatGeek Inc., Sunrise Records Ltd., The Ticketline Network Ltd., Ticket City Inc., TicketNetwork Inc., TickPick LLC, TiqIQ LLC, TodayTix Inc., Viagogo Entertainment Inc., Vivendi SE, and Vivid Seats Inc.. AI-Powered Market Evolution Insights. Our comprehensive market report ready with the latest trends, growth opportunities, and strategic analysis- View Free Sample Report PDF Forecast period 2024-2028 Base Year 2023 Historic Data 2018 - 2022 Segment Covered Revenue (Tickets, Sponsorship, and Merchandising), Genre (Pop, Rock, Hip-hop, EDM, and Metal music and others), and Geography (North America, Europe, APAC, South America, and Middle East and Africa) Region Covered North America, Europe, APAC, South America, and Middle East and Africa Key companies profiled Alliance Tickets, Bassett Events Inc., Coast To Coast Tickets LLC, CTS Eventim AG and Co. KGaA, Eventbee Inc., Eventbrite Inc., Event.com Inc., Live Nation Entertainment Inc., Lyte Inc., SeatGeek Inc., Sunrise Records Ltd., The Ticketline Network Ltd., Ticket City Inc., TicketNetwork Inc., TickPick LLC, TiqIQ LLC, TodayTix Inc., Viagogo Entertainment Inc., Vivendi SE, and Vivid Seats Inc. Key Market Trends Fueling Growth Live music market is a thriving industry that caters to the worldwide demand for authentic and musical experiences. Trends in this sector include live music concerts, mobile apps, and the rise of DJs. Genres such as Blues, Pop, Rock, Metal, Electronica, and more continue to shape audience preferences. Industrial developments, urbanization, and technology adoption have led to the automation of production lines and the integration of technology in music events. Customer preferences drive emerging trends like local talent, interactive activities, and art installations at music festivals. Macroeconomic factors, disposable incomes, and social media influence ticket sales for B2C enterprises. Event organizers leverage user metrics, online purchase, and modeling approaches to optimize their operations. The live music market is a cornerstone of the entertainment sector, providing livelihoods for musicians, artists, agents, promoters, ticketing companies, contractors, record companies, music publishers, corporate brands, and sponsors. The sector includes small clubs, theatre-sized venues, arena shows, and stadiums, featuring international stars and local talent. Festival dates, performance schedules, and promotional campaigns are crucial elements of successful live music events. Risk takers, fee negotiations, and show production are integral parts of the business. The future of the live music market is shaped by virtual online platforms, holograms, and fan bases. The sector continues to evolve, offering unique experiences for fans and like-minded individuals. The live music industry has experienced a notable increase in the utilization of virtual and hybrid events due to technological advancements and the impact of the COVID-19 pandemic. Artists and event organizers have responded to evolving circumstances by adopting innovative approaches, enabling them to deliver live music experiences to global audiences despite challenges posed by large-scale gatherings. Virtual and hybrid formats have gained popularity as a solution to the disruptions caused by the pandemic, allowing musicians and artists to continue engaging with their fan bases. Insights on how AI is driving innovation, efficiency, and market growth- Request Sample! Market Challenges Insights into how AI is reshaping industries and driving growth- Download a Sample Report Segment Overview This live music market report extensively covers market segmentation by 1.1 Tickets- The ticketing segment is a pivotal part of the global live music market, facilitating fan access to live music events through ticket sales and distribution. Online ticketing platforms, such as Ticketmaster and StubHub, have become popular due to their user-friendly interfaces and secure payment gateways. Mobile ticketing, featuring digital tickets accessible on smartphones, enhances the ticketing experience and reduces the risk of counterfeit tickets. Secondary ticketing platforms, like Viagogo and SeatGeek, offer fans an alternative to secure tickets for sold-out events. Data analytics and personalized marketing strategies are emerging trends, enabling ticketing companies to provide customized recommendations and targeted campaigns. These advancements are anticipated to boost the growth of the ticketing segment in the live music market. Download complimentary Sample Report to gain insights into AI's impact on market dynamics, emerging trends, and future opportunities- including forecast (2024-2028) and historic data (2018 - 2022) Research Analysis Live music concerts continue to captivate audiences worldwide, bringing people together through the power of music. Mobile apps have revolutionized the industry, allowing fans to access tickets, merchandise, and real-time updates on their favorite artists. From Blues to Pop, Rock, Metal, Electronica, and beyond, music events cater to diverse customer preferences. Emerging trends include the integration of technology, such as holograms and virtual online platforms, into live performances. Local special circumstances and macroeconomic factors can impact the livelihood of musicians, influencing tours and festivals. Social interaction and the connection with like-minded individuals are cornerstones of the live music experience, spanning decades. The younger generation continues to discover new artists and genres, ensuring the industry's longevity. Live music events offer more than just entertainment – they provide a unique experience for fans to engage with their favorite musicians and create memories that last a lifetime. Market Research Overview Live music concerts have seen a significant in popularity with the advent of mobile apps, allowing fans to easily discover and purchase tickets for their favorite artists and genres, including Blues, Pop, Rock, Metal, Electronica, and more. The live music scene is not just limited to concerts but also includes parties and music festivals, which offer unique experiences for like-minded individuals. Urbanization and industrial developments have led to the adoption of technology in music production lines and automation, transforming the way music is created and performed. Emerging trends such as virtual online platforms, holograms, and interactive activities have added new dimensions to live music events, catering to the younger generation's preferences for experiences over material possessions. Music festivals have become a cornerstone of the live music industry, attracting passionate audiences from worldwide, with genres ranging from local talent to international stars. Event organizers leverage social media and ticket sales to reach consumers, while B2C enterprises focus on Gross Merchandise Value and user metrics to optimize their offerings. The live music industry is influenced by various macroeconomic factors, including disposable incomes, consumer behavior, and emerging trends. Representativeness, social outlook, and urban population play a crucial role in shaping the industry's future, with Goldman Sachs predicting a decade-long livelihood for musicians, tours, and festivals. Live performance remains the heart of the industry, with artists, DJs, agents, promoters, ticketing companies, contractors, record companies, music publishers, corporate brands, and sponsors all playing essential roles in bringing the music to the fans. From small clubs to arena shows and stadiums, the live music industry continues to evolve, offering unforgettable experiences for fans and artists alike. Table of Contents: 1 Executive Summary 2 Market Landscape 3 Market Sizing 4 Historic Market Size 5 Five Forces Analysis 6 Market Segmentation 7 Customer Landscape 8 Geographic Landscape 9 Drivers, Challenges, and Trends 10 Company Landscape 11 Company Analysis 12 Appendix About Technavio Technavio is a leading global technology research and advisory company. Their research and analysis focuses on emerging market trends and provides actionable insights to help businesses identify market opportunities and develop effective strategies to optimize their market positions. With over 500 specialized analysts, Technavio's report library consists of more than 17,000 reports and counting, covering 800 technologies, spanning across 50 countries. Their client base consists of enterprises of all sizes, including more than 100 Fortune 500 companies. This growing client base relies on Technavio's comprehensive coverage, extensive research, and actionable market insights to identify opportunities in existing and potential markets and assess their competitive positions within changing market scenarios. Contacts Technavio Research Jesse Maida Media & Marketing Executive US: +1 844 364 1100 UK: +44 203 893 3200 Email: media@technavio.com Website: www.technavio.com/ View original content to download multimedia: https://www.prnewswire.com/news-releases/live-music-market-to-expand-by-usd-35-56-billion-2024-2028-driven-by-rising-demand-for-experiences-ai-redefining-the-market-landscape---technavio-302311721.html SOURCE Technavio

By Kara Scannell , CNN Sean 'Diddy' Combs will remain in jail after a judge rejected his latest attempt for release while the rapper and music producer awaits trial on charges of sex trafficking and racketeering conspiracy . Judge Arun Subramanian denied Combs' team's motion for release on Wednesday. His decision followed a two-hour court hearing on Friday where he appeared to explore potential options and questioned prosecutors' allegation that Combs continued to obstruct the ongoing investigation. "The Court finds that the government has shown by clear and convincing evidence that no condition or combination of conditions will reasonably assure the safety of the community," the judge wrote in a five-page order. CNN has reached out to representatives for Combs for comment. Federal prosecutors argued that Combs could not be trusted on bail because he flouted the rules of the jail and judge. They said he posed a danger to women and was tampering with witnesses - even while in federal custody at the Metropolitan Detention Center. Prosecutors allege Combs tried to evade law enforcement monitoring by using several techniques, including three-way calling, to contact witnesses. They also accused him of violating the judge's own order limiting communications and ignored his lawyers' guidance in part by orchestrating a social media campaign around his birthday to try to influence the potential jury pool. The judge pointed to evidence that Combs was not following the jail rules - including the continued use of a messaging service - in his decision. "Underscoring the Court's concern, despite defense counsel's assurances to the Court at the November 22, 2024 hearing (with Combs in attendance) that Combs stopped using ContactMeASAP as of November 16, 2024, ... the government indicates that Combs has continued to use this service as recently as this past Sunday, November 24, 2024." His attorneys have relentlessly pursued his release from federal custody, arguing that private security would provide more restrictions on Combs than federal jail. They said Combs needed to be free to help prepare his defense against the criminal charges and roughly 30 civil lawsuit alleging sexual abuse. His attorneys identified a three-bedroom apartment on Manhattan's Upper East Side where they argued he would be surrounded by security 24/7 to monitor visits and phone calls. Under their proposed bail package, Combs would also post a $50 million bond. During Friday's hearing the judge scoffed at the suggestion that Combs could stay at his home in Miami with a boat dock, saying that's "not going to work." The hip-hop mogul was arrested in September and charged with sex trafficking, racketeering conspiracy, and prostitution-related charges . He has pleaded not guilty and will go to trial on May 5. Combs was previously denied bail by two other federal judges who found there were no conditions that would assure them that he wouldn't try to obstruct the investigation or be a threat to the community. Combs initially appealed one of those rulings and then asked the appeals court to put that on hold while tried again with Judge Subramanian, who was transferred the case. - CNN

You knew it was coming, didn’t you? Baseball’s reigning Evil Empire took the initiative this week, signing another high-profile starting pitcher and giving its fans something additional to be grateful for during Thanksgiving week (besides, of course, those shots of the Commissioner’s Trophy being shown off here, there and everywhere throughout Southern California). And after the bombshell announcement Tuesday night, that the Dodgers had signed Blake Snell , the howls could be heard throughout the land. The Dodgers are making a mockery of the sport. The rest of baseball can’t compete. They’re signing everybody! And how are the Cincinnatis and Pittsburghs and Colorados of the sport able to compete with an organization that not only brings in boatloads of money – and has created a second source of runaway revenue through its ties to Japan – but isn’t interested in hoarding it? Shouldn’t the next step be a salary cap to restrain this franchise’s runaway spending? Oh, stop it. Competitive balance is not an issue in baseball, period. Four different teams have won the last four World Series, and nine different fan bases have celebrated championships in the last 12 years. There hasn’t been a repeat champion in ... checks notes ... a quarter of a century. (That would be the New York Yankees, the first Evil Empire, in 1999-2000.) Meanwhile, Kansas City, Detroit and Baltimore have all risen from rebuilding to contention in the last couple of seasons. Milwaukee and Cleveland, both smaller markets, were legitimate threats as this past postseason began. And the Padres, long squeezed between Mexico to their south, the Imperial Valley to their east, the Pacific to their west and L.A. to their north, just might have been the second-best team in baseball in 2024 and, may we remind you, had the Dodgers by the neck going into Game 4 of their National League Division Series . Nor are they going away, even with some payroll retrenching in the wake of controlling owner Peter Seidler’s death. (But, nope, still no parade.) Most of the caterwauling, of course, comes from those whose favorite teams were either outbid or declined to spend. Trust me, no ownership in Major League Baseball can claim poverty, even with the cable TV issues that have scrambled some teams’ finances. Yes, big-market teams start with a financial advantage. Yes, Diamond Sports’ bankruptcy and the cord-cutting revolution have factored in. And yes, the Dodgers and Yankees have insulated themselves to a degree by owning their own cable networks. So, maybe, give them some credit for intelligence and foresight? Front Office Sports reported that deferrals on Snell’s reported five-year, $182 million deal, said to be $60 million, would push the Dodgers closer to the $1 billion mark in deferred money owed to five players. Shohei Ohtani’s whopping $680 million deferred on a $700 million contract signed last winter enabled the Dodgers to add additional pieces. Freddie Freeman and Mookie Betts also have chunks of deferred money in their contracts – as does, interestingly, Teoscar Hernández on his one-year 2024 deal with the Dodgers. That would make that contract even more of a bargain than we thought. And this is an undisputable fact: Salary caps and other payroll-limiting mechanisms put no limits on front office creativity and ingenuity. It’s been pretty well established that in Guggenheim Baseball’s 13-year ownership of the Dodgers, especially after Mark Walter’s organization corrected the problems of the Frank McCourt era and particularly after Friedman arrived from Tampa Bay in 2015, the Dodgers have a smart, savvy organization whose advantages go way beyond their cash on hand. (And yes, as I noted on social media Tuesday night, we do tease them about sometimes trying too hard to be the smartest guys in the room. But most of the time they are, anyway.) Assuming everyone stays healthy – and as we saw throughout baseball in 2024, that’s a tall ask – what will the Dodgers’ rotation look like in 2025? They’ll have left-hander Snell, a two-time Cy Young Award winner who was one of the victims of a soft free agent market last spring and didn’t sign with the San Francisco Giants until March 19. He got off to a dreadful start as a result but was lights out from the start of July. In 14 starts he was 5-0 (and his team 12-2 in those starts), with a 1.23 ERA, an opponents’ batting average of .123, an 0.78 WHIP, five double-digit strikeout games and a 3.8-1 strikeout to walk ratio, and a complete-game no-hitter, an achievement for someone denigrated as a five-and-dive pitcher. Maybe those final three months spurred him to sign early this time. It’s almost certain the Dodgers will use a six-man rotation from the start of the season, and right now they have seven possibilities and who knows what they do from here. They’ll have Yoshinobu Yamamoto, and Shohei Ohtani as a pitcher. Tyler Glasnow, Snell’s former teammate in Tampa Bay, will be back, as will Tony Gonsolin in his return from Tommy John surgery. Dustin May, essentially inactive since May of 2023, will return, and Clayton Kershaw is expected to re-sign and has indicated he plans to retire a Dodger. Is there room for free agent Jack Flaherty, last season’s major trade deadline acquisition? Or fellow free agent Walker Buehler, who closed out Game 5 of the World Series against the Yankees, following a sometimes spotty comeback from injury? And the wild card might be Roki Sasaki, who will be posted by his Japanese team this winter. The Dodgers had long been considered the favorites to land him, and even Snell’s signing might not change that. Then again, the way the 2024 Dodgers went through pitchers because of injuries – 40 for the season, including 12 starting pitchers – shouldn’t they be tempted to grab every reasonably healthy arm they can and sort it out as they go along? But this is, and should be, the bottom line: Every fan in every sport wants the people running their favorite team to care as much about winning as they do. In a lot of cities, with a lot of teams, that’s really hard to envision. In Dodger Stadium, it’s not hard at all. And if they’re going to be the new Evil Empire, why not just lean into it and have Dieter Ruehle play “The Imperial March” (i.e., Darth Vader’s Theme) before every game? jalexander@scng.comINDIANAPOLIS (AP) — Jarvis Walker's 20 points helped IU Indianapolis defeat Trinity Christian 106-49 on Saturday. Walker shot 7 for 12, including 6 for 10 from beyond the arc for the Jaguars (4-5). Paul Zilinskas shot 5 for 9, including 4 for 7 from beyond the arc to add 15 points. DeSean Goode had 14 points and shot 4 of 5 from the field and 5 for 5 from the line. Javascript is required for you to be able to read premium content. Please enable it in your browser settings.It’s official: Dodgers sign Blake Snell for 5 years, $182 million

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U.S. stock indexes drifted lower following some potentially discouraging data on the economy. The S&P 500 fell 0.5% Thursday, its third loss in the last four days. The Dow Jones Industrial Average fell 0.5%, and the Nasdaq composite dropped 0.7% from its record set the day before. A report earlier in the morning said more U.S. workers applied for unemployment benefits last week than forecast. A separate update showed that inflation at the wholesale level was hotter last month than economists expected. Adobe sank after issuing weaker-than-expected financial forecasts. Treasury yields rose in the bond market. On Thursday: The S&P 500 fell 32.94 points, or 0.5%, to 6,051.25. The Dow Jones Industrial Average fell 234.44 points, or 0.5%, to 43,914.12. The Nasdaq composite fell 132.05 points, or 0.7%, to 19,902.84. The Russell 2000 index of smaller companies fell 33.08 points, or 1.4%, to 2,361.08. For the week: The S&P 500 is down 39.02 points, or 0.6%. The Dow is down 728.40 points, or 1.6%. The Nasdaq is up 43.07 points, or 0.2%. The Russell 2000 is down 47.91 points, or 2%. For the year: The S&P 500 is up 1,281.42 points, or 26.9%. The Dow is up 6,224.58 points, or 16.5%. The Nasdaq is up 4,891.49 points, or 32.6%. The Russell 2000 is up 334.01 points, or 16.5%.

Mysterious buck reveals potential AI fraud scheme targeting B.C. seniors (BC)Share Tweet Share Share Email Books have a unique power to transport readers across time and space, offering insights into the lives, history, and culture of faraway places. Sierra Leone, with its rich heritage and complex history, has inspired countless stories that reflect its resilience, beauty, and struggles. From novels to memoirs, Sierra Leonean literature provides a lens into the nation’s soul, allowing readers to connect with its history, culture, and dreams. Here are five must-read books from Sierra Leone that will captivate your imagination and deepen your understanding of this remarkable country. 1. The Memory of Love by Aminatta Forna A masterful novel by the acclaimed Scottish-Sierra Leonean writer Aminatta Forna, The Memory of Love explores the aftermath of Sierra Leone’s Civil War through the intertwined lives of three men—a history professor, a doctor, and a surgeon. This poignant story delves into personal and collective trauma, healing, and love in the shadow of conflict. If you enjoy Forna’s storytelling, don’t miss her memoir, The Devil that Danced on the Water, which provides a deeply personal account of her childhood and her father’s tragic story, offering a gripping perspective on Sierra Leone’s political past. 2. A Long Way Gone by Ishmael Beah This harrowing memoir recounts Ishmael Beah’s experiences as a child soldier during Sierra Leone’s Civil War. Beah was kidnapped, forced into combat, and exposed to unimaginable horrors. His narrative follows his journey from captivity and trauma to rescue, adoption, and eventual advocacy as a UNICEF ambassador . A Long Way Gone sheds light on the human cost of war while offering a story of resilience and hope. It’s a must-read for anyone seeking to understand the impact of conflict on Sierra Leone’s youth and the strength it takes to rebuild. 3. The Last Harmattan of Alusine Dunbar by Syl Cheney-Coker Syl Cheney-Coker’s novel blends history, magic, and realism to tell the story of a fictional nation reminiscent of Sierra Leone. Spanning centuries, the narrative traces the arrival of formerly enslaved Africans and the country’s evolution to the present day. With its rich symbolism and poetic prose, The Last Harmattan of Alusine Dunbar captures the spirit of Sierra Leone’s history and culture, making it a must-read for fans of literary fiction. 4. Breaking the Maafa Chain by Anni Domingo This historical novel follows the lives of two sisters torn apart by the transatlantic slave trade. One sister is taken to England and becomes the goddaughter of Queen Victoria, while the other endures life in an American labor camp. Through the sisters’ stories, Breaking the Maafa Chain sheds light on the horrors of slavery and the resilience of those who lived through it. It’s a compelling and emotional read that ties Sierra Leone’s history to the broader African diaspora. 5. The Gilded Ones by Namina Forna Namina Forna’s debut novel combines fantasy and folklore, drawing inspiration from the legendary Dahomey Amazons. Set in a fictional world where a woman’s worth is tied to her purity, the story follows a young girl who is deemed impure but discovers extraordinary powers. While rooted in fantasy, The Gilded Ones resonates with themes of empowerment and resilience, echoing the strength of Sierra Leonean women and their stories. It’s a gripping tale that bridges cultural heritage and imaginative storytelling. Discover Sierra Leone Through Its Stories These five books offer a rich tapestry of Sierra Leone’s history , culture, and imagination. Whether you’re exploring the trauma of war, the magic of folklore, or the enduring spirit of its people, these stories provide a profound connection to the nation’s heart. Reading Sierra Leonean literature is not just an act of learning—it’s an invitation to experience the beauty and complexity of a country through the eyes of its storytellers. So, grab one of these titles, settle into your favorite reading spot, and let Sierra Leone’s vibrant narratives transport you. Related Items: and Stories , Culture , History , Read Books Share Tweet Share Share Email Recommended for you Crafting Playful, Culture-Driven Digital Narratives: Christie Wu on Designing for the Mumbai Gallery Association and Beyond From Rebellion to Runway: Leather’s Fashion History Creating a Proactive Maintenance Culture: the Leadership of Mohammad Rahman Comments

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