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ps88 casino login The third and final "One" in the proverb pertains to the behavior of animals, particularly birds, on the first week of December. If birds are observed flying south in large numbers or displaying restless behavior, it is believed to signal a harsh winter with prolonged cold spells. In contrast, if birds remain in the area and appear calm, it is seen as an indication of a gentler winter ahead.Furthermore, Woodward's previous involvement in high-profile transfer sagas and the perception of him as a divisive figure at Manchester United may impact his reception among Arsenal supporters. The Gunners faithful are known for their passion and loyalty, and any appointment must be met with cautious optimism and scrutiny.

In the meantime, industry observers are closely watching the developments of the EU investigation and speculating on the potential impact it could have on Google's market dominance and reputation. The outcome of this case will undoubtedly have far-reaching consequences for the tech industry and may set a precedent for how regulators around the world approach antitrust issues in the digital age.Anthony Albanese is 61 years old. By the time Space Invaders came out in 1978, he was already 15, meaning the greatest technological challenge he faced during his teen years was shooting down endless waves of pixelated alien space ships in an arcade video game. So it’s perhaps understandable that the Prime Minister is finding it difficult to grasp the complexities of social media and the risks and opportunities it offers to Australian children. Social media has its dangers. There are online predators, cyberbullies, body image pressures, pornography and extremists looking for impressionable young minds to distort with racism and misogyny. Social media also has enormous benefits. It offers kids who may feel out of place with their peers in the real world an opportunity to connect with their people. It gives them an outlet for their interests and a way to express themselves and to form their identities. We need to find a way to minimise its risks while ensuring kids still have access to the many positive aspects of social media. That’s all a little too complicated for Mr Albanese and his Labor Government. Bethany Hiatt & Katina Curtis Katina Curtis Instead of making these online spaces safer for everyone, they want to shut it all down by imposing a blanket social media ban for all kids under the age of 16. Get the kids off TikTok, tell them to fire up Space Invaders and pretend it’s the 1970s again. “I want young Australians to grow up playing outside with their friends, on the footy field, in the swimming pool, trying every sport that grabs their interest, discovering music and art, being confident and happy in the classroom and at home. Gaining and growing from real experiences, with real people,” Mr Albanese wrote about the ban in a recent opinion piece published in The Herald Sun. That sounds idyllic. But Mr Albanese is evoking a nostalgia for a world that no longer exists. The natural habitat of the generation alpha child is online. There are pre-teens making serious money from running YouTube channels, kids writing sophisticated code and creating digital start-ups in their spare time. The internet is their primary form of communication with one another. Suddenly yanking social media away from them and then expecting them to have the digital literacy to navigate it upon turning 16 is a fool’s errand which could potentially open kids up to even greater risks. And that’s the teens who don’t bother figuring out a workaround, which many will inevitably do. At best, thinking that we can solve the problems presented by social media by blasting kids back into the past is extraordinarily naive. At worst, it’s a cynical political ploy designed to generate headlines and win the votes of a few frazzled parents while doing nothing to address social media’s significant risks. Imposing an old man’s solution to this very modern problem is doomed to fail. Lorraine Finlay & Anne Hollonds

-- Shares Facebook Twitter Reddit Email The following contains spoilers from "Gladiator II." About two hours into "Gladiator II," Hanno ( Paul Mescal ) steps up to deliver a speech that might finally tell us why we should care about anyone or anything in Ridley Scott's newest sharks-and-sandals potboiler. We've fought for nothing more than another day's survival, he tells the assembled NPCs/gladiators, but now you can join me and fight for a freedom far beyond these walls. The chosen one's voice ascends as he invokes the honor that once meant something in Rome. Now is the time to reclaim it, he declares, even though many of the people he's speaking to are probably foreigners who were captured by slave traders or as prisoners of war. "Strength and honor," Hanno exhorts, and a hundred gladiators respond to the call, drowning out any pipsqueak who might venture to ask, "What does strength and honor actually mean?" or perhaps, "How did we even get here?" This is the message that Ridley Scott chose for his movie: Rome has been taken over by a foppish, effeminate class of men in perfumed silks. We know nothing about the other gladiators, or how they got to the point where a boring speech was enough to suddenly awaken their class consciousness, but at least we know how Hanno got here. Exiled from Rome due to his political status, he was living happily in the "city" of Numidia before the Romans invaded, killed his wife and sold him into slavery. With a sword in his hand and vengeance in his heart, Hanno finds his way back to the imperial capital where he wins bloody renown in the Colosseum, reveals that he's actually named Lucius Verus and thus wades into the political intrigues at the apex of a corrupt and violent hierarchy. Related From "Gladiator" to "Nope": How Jordan Peele maps our decline into spectacular denial It's an echo of Maximus' (Russell Crowe) journey in the first "Gladiator" movie, now with the technology to conjure sharks for a set-piece naval battle, rampaging rhinos and bloodthirsty baboons. The banal logic of repeating a successful narrative, except louder, is simple enough. Scott, as usual, also needs to shoehorn meaning that he doesn't know how to produce and erase history that he doesn't know how to replace. Below, Salon digs into the missed opportunities that real history provided that could have made for far more intriguing action on our screen. A military strongman in plain sight Fred Hechinger plays Emperor Caracalla and Joseph Quinn plays Emperor Geta in "Gladiator II" (Paramount Pictures) Besides the antagonistic fauna in the ring, "Gladiator II" also introduces the malevolent presence of not one, but two depraved autocrats — Geta (Joseph Quinn) and Caracalla (Fred Hechinger, accompanied by Dundus the Monkey ), makeup-adorned brothers from hell. Through them, Scott and screenwriter David Scarpa's vision of Rome in the late 2nd century is that of an empire recently corrupted by bad actors – rather than an empire corrupted long before or at its inception. There's only one other allusion to what kind of Rome the bleary-eyed dissidents of "Gladiator II" might pine for, and it lies in the unsubtle contrast between these queer-coded, sickly pale siblings and two scrappy, immaculately tanned fighting men in the form of Lucius and Acacius (Pedro Pascal), a general of the Roman army. In the year 2024, MMDCCLXXVII ab urbe condita, this is the message that Ridley Scott chose for his movie: Rome has been taken over by a foppish, effeminate class of men in perfumed silks. They direct wars of conquest from the comforts of Palatine Hill rather than lead the men themselves like in the good old days of Caesar massacring the Gauls . Power must be returned, by force, to a few rugged, brawny heroes in armor who know how to commit violence with their own hands, and only then can matters be set aright and the dream of Rome restored (whatever that means). We need your help to stay independent Subscribe today to support Salon's progressive journalism But even this rather authoritarian message is incoherent, because the film does occasionally pay lip service to the idea that war is bad, or at least should be kept to appropriate limits, such as when Acacius ponders the destruction he has wrought. As such, "Gladiator II" tries to separate virtuous general from venal politician, "just" violence from "unjust" violence, without recognizing that in a society that worships the sword, extols the soldier who wields it, and bays lustily at the poor man who is forced to reenact his deeds in the arena – all of those become largely one and the same. Fred Hechinger plays Emperor Caracalla in "Gladiator II" (Paramount Pictures) Ironically enough, the real-life Caracalla, described as a soldier's emperor who bore all the hardships of an enlisted legionary, might have been the perfect fit for what Scott seems to view as Rome's ideal savior. The abundance of art depicting him presents a rugged, scowling figure who resembles a meaner version of Acacius . It's a suitable image for the ruthless and hard-bitten son who inherited the emperor Septimius Severus' militarized regime and then spent his own reign taking to heart his father's advice: "Enrich the soldiers, and scorn all other men." Meanwhile, it's difficult to know what Geta looked like because Caracalla killed him and then embarked on some historical erasure of his own. During his six-year reign as sole emperor, Caracalla waged a pointless war against Parthia, viciously sacked a Roman city over an offensive play, largely ignored his administrative duties and aggravated an inflation crisis by paying the army with devalued coinage. (He also, for various debated motives, granted citizenship to all free men in the empire.) All that would have provided promising material for a "Gladiator II" villain representing a rot in the body politic, but Scott surprised no one by scorning history and instead pursuing easier targets that are more caricature (and act utterly insane ) than human. Instead of "Gladiator II" deconstructing the mythos of Rome, it's the real Caracalla who acts as a warning for what Scott seems to think Rome — and any of its modern reflections — needs in a leader. The missing history of women Connie Nielsen plays Lucilla in "Gladiator II" (Paramount Pictures) In an egregiously outdated move, "Gladiator II" excludes any female characters who have a purpose besides getting shot with arrows to make Lucius very angry. First up is his wife Arishat (Yuval Gonen) – a fighter in her own right – who suits up for battle alongside him, joins the fray but alas becomes one of the fallen thanks to the even mightier Acacius' wrath. This sets Lucius on his path back to Rome, following his wife's murderer intent on vengeance but then finding the goal of greater freedom for Rome more compelling along the way. Back in the city, he meets his erstwhile mother Lucilla (Connie Nielsen), who gave him up when he was a boy to save him, but even this reunion is short-lived as she also becomes fodder in the arena. If the decision to fridge Arishat and Lucilla seems lazy, the choice not to cast any of the actual women from the Severan dynasty is downright baffling. Lucilla never has the chance to amount to anything, but Domna at her emotional depth would have fit perfectly with Scott's fixation on vengeance. The most famous during that era – Geta and Caracalla's mother Julia Domna , her sister Julia Maesa and Maesa's daughter Julia Mamaea – wielded political influence. Domna in particular was the key figure and stabilizing force behind the two co-emperors, protecting the interests of her family and administering the empire during Caracalla's long military adventures. Unfortunately, she failed in her attempts to mediate between the emperors before Geta's assassination – in a dramatic tableau that could have been lifted from the pages of history and placed on the screen. It seems that Caracalla had agreed to a meeting with Geta at Domna's behest, but it was just a ruse to eliminate his rival. As Caracalla's centurions rushed forwards with steel drawn, Cassius Dio records that Domna held a terrified Geta in her arms, getting so thoroughly covered in her son's blood that she failed to notice the blow inflicted on her hand. The murder of Geta is Domna at her most traumatized and guilt-stricken, and even by itself is far more riveting than the story of "Gladiator II's" tepid Lucilla who – in rough sequential order – plots ineffectually, cries ineffectually, gets chained to a pillar and suffers from a bad case of arrow to chest. Connie Nielsen plays Lucilla and Joseph Quinn plays Emperor Geta in "Gladiator II" (Paramount Pictures) Lucilla never has the chance to amount to anything, but Domna at her emotional depth would have fit perfectly with Scott's fixation on vengeance as fuel for narrative, mixed with a heavy dose of moral agony. Unable to mourn for Geta due to the official condemnation of his memory, Domna would have to bear Caracalla's rule with grudging correctness, privately nursing a resentment borne from the cruelties of the past and misrule of the present. Sure, Macrinus' killing Caracalla in the film does make sense, and is historically accurate (ish) , but some liberties would be welcome if they elevate the story. (And yes, this movie needs it.) Domna realizing that it is she who must perform or plan the deed would have done just that. She would have freed Rome from a terrible emperor, enacted justice for Geta and suffered from the horror of murdering another son born of her womb. For reasons unknown, that's one historical divergence that Scott chose not to take. Revolution without meaning While it's embarrassing that Scott not only takes pointless liberties but also insists that he's right and knows more than historians , the rejection of history is not a terrible flaw in and of itself. When the ultimate creation is less interesting than what people like Scott deride as boring textbook material , however, the failure lies with the creator. Even so, "Gladiator II" still had another chance to redeem itself through its namesake, in plural: the enslaved or condemned (and occasionally, free) fighters who must slaughter each other not only to entertain the people of Rome, but also to distract Rome's poor from their own exploitation by the ruling class and moneyed elites . Alas, it turns out that the singular form of "Gladiator II" is key, because only one gladiator is named, and he's the main character. The rest of them in the film are ciphers whose motives, dreams, suffering and rage remain unknown to us. There is no emotional connection to them, and so there is no emotional resonance in their last-minute bid for freedom. Among them, only Lucius truly exists, and it is only through him that the other gladiators suddenly realize they can reclaim their agency and promptly entrust it to the man who would lead them. Denzel Washington plays Macrinus in "Gladiator II" (Paramount Pictures) But even without elevating fellow gladiators alongside Lucius, the film had one character already in its stable who provided a meaningful way to interrogate the idea of freedom. In a rare moment of insight for the film, Macrinus (Denzel Washington) – a former slave who's now powerful and savvy enough to influence emperors – paraphrases Hegel to provide sharp commentary, telling Lucius that in their basest form of desire, "the slave dreams not of freedom, but of a slave to call his own." Although Macrinus is painted as an antagonist in the film, his very presence speaks to the long and arduous road that achieving freedom must take – not the more compressed ephiphany that Lucius has after becoming a gladiator. But for the film's purposes, the challenge of igniting a rebellious spirit among a divided and deceived underclass falls on Lucius, and for the sake of the plot's momentum he must succeed, but only in a peculiar way that does not offer any tangible promise like civic rights or land redistribution . Even as the Roman people have taken over the streets, we hardly know their aims or what they want. Geta and Caracalla, we are told, rule tyrannically, and Lucius tells the people of the Colosseum that what happened to their political opponents can also happen to them. And so it is by the same means as the gladiators that the free men and women of Rome are incited, in the space of a few seconds by a vaguely obvious point and without any whiff of foreshadowing. In Ridley Scott's theory of revolution, defiance is not born of gradual, conscious ferment among a collective people provoked by oppression, but bestowed to a formless mass by a single, heroic figure delivering a boring speech. By draining the people of agency, Scott may have joined forces with historical and modern precedent to unintentionally offer a most effective critique of his own theory: a meaningless impulse always leads to a meaningless revolution. In any case, it's neither convincing nor compelling as presented, and like Rome in its waning years, suffers more from aimless direction. "Gladiator II" is currently in theaters nationwide. Read more about Ancient Rome The elusive history of the gladiatrix and why you don't see her in "Gladiator II" Garum, the funky and fishy condiment that rose and fell with the Roman Empire A garden of delights for Rome's creepiest emperor: Caligula's purported hangout open to public By Nicholas Liu Nicholas (Nick) Liu is a News Fellow at Salon. He grew up in Hong Kong, earned a B.A. in History at the University of Chicago, and began writing for local publications like the Santa Barbara Independent and Straus News Manhattan. MORE FROM Nicholas Liu Related Topics ------------------------------------------ Ancient Rome Commentary Gladiator Gladiator Ii Movies Ridley Scott Roman Empire Related Articles Advertisement:

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When Dr. Kemi Wijesundera moved into the new Telus Health family medicine clinic in downtown Toronto, he quickly found he had one less thing to worry about during consults. Each of the seven examination rooms in the modern new clinic, which Telus Health has opened under its “MyCare” brand, is equipped with “AI scribe” software that listens to appointments (with patients’ consent) and uses artificial intelligence to summarize the conversations in the standardized medical note form. Before the patient even gets out the door, the notes from their appointment, including their medical history, as well as any requisitions, prescriptions and special instructions from their doctor, are uploaded to their phone through the Telus MyCare app. “This is the future of health care,” says Wijesundera, a recent medical school grad and one of six family physicians at the new Telus Health MyCare Union clinic. Located in repurposed office space on York Street, just south of Union Station, the “digital first” clinic, which had a soft launch in late summer, is now fully operational. 516 Estimated number of Torontonians without a family doctor 2.5 Estimated number of Ontarians without a family doctor 6.5 Estimated number of Canadians without a family doctor Source: Ontario College of Family Physicians, Ontario Community Health Profiles Partnership, OurCare Initiative Toronto Star graphic Located in repurposed office space on York Street, just south of Union Station, the “digital first” clinic, which had a soft launch in late summer, is now fully operational and facing a unique challenge: at a time when an 516,000 Torontonians are looking for a family doctor, the physicians at the clinic are looking for patients — up to 6,000 of them. “It gives people who live in the Toronto area a new way to become attached to a family doctor within the public health-care system,” says Chris Engst, vice-president of consumer health for Telus Health, which opened its first two MyCare clinics in Victoria and Vancouver in 2020. The expansion is part of a broader, global trend that’s seeing private companies taking ownership stakes in the provision of medical services, an area many investors see as ripe with opportunity as wait-lists for family doctors and certain surgical procedures remain stubbornly high. Unlike its main telecom competitors, Rogers Communications and BCE, which have diversified into sports team and media ownership, Telus is staking a claim on health care. In 2022, it , formerly Morneau Shepell, for $2.3 billion, as well as buying up a substantial share of the market for electronic medical record (EMR) software in Canada over the last decade. After these and other acquisitions, Telus says it now provides health-care services to some 76 million people in more than 160 countries. “It’s a regular family practice. The physicians are doing everything from preventative care, immunizations, chronic disease management, acute care, whatever the care needs are of their patients,” says Dr. Alissia Valentinis, a family doctor and medical director of the Toronto MyCare clinic. 1 Estimated number of Torontonians who could be without a family doctor by 2026 4.4 Estimated number of Ontarians who could be without a family doctor by 2026 Source: Ontario College of Family Physicians, INSPIRE-Primary Health Care Toronto Star graphic Dr. Alissia Valentinis, medical director of the Telus Health MyCare Union clinic, explains that the MyCare model is similar to other private clinics where doctors pay a percentage of their provincial billings to the company running the clinic to cover rent, staff and insurance. In this case, Telus Health manages the clinic while the physicians are independent contractors who are “100 per cent publicly funded.” “It’s a regular family practice. The physicians are doing everything from preventative care, immunizations, chronic disease management, acute care, whatever the care needs are of their patients,” says Valentinis. One thing the new Toronto MyCare clinic isn’t: a cramped and stuffy space in a lowrise office complex that some may associate with more traditional medical offices. A wall covered with plants about six metres long that stretches to the ceiling greets patients in the clinic’s waiting room on the second floor of Telus Harbour, a 30-storey, LEED Platinum office building next to Scotiabank Arena. Floor-to-ceiling windows that look down on York Street illuminate the seven, gleaming-white examination rooms that are equipped with two computer screens, one for virtual consultations and one for medical charting. One slightly larger examination room can accommodate minor procedures, such as the removal of lumps or bumps. A counselling room featuring cushioned seats offers a quiet space for doctors to have difficult conversations with patients, if necessary, or for breastfeeding moms to find some privacy. A team of clinical operations support staff assist physicians with administration, pharmacy inquiries, referrals and appointment bookings. “We’ve been using technology to try and think about, how do you deliver primary care in a unique way which helps to support the needs of patients and also helps to support the needs of the clinicians who work with us?” says Engst. A key pillar in this quest is the Telus Health MyCare app, a sort of all-in-one platform that not only holds MyCare patients’ electronic medical records, but also allows patients to book same-day or next-day appointments and see physicians at the Union clinic virtually or in-person. Despite the obvious value for patients in a city starved of family doctors like Toronto, the company’s expansion into the health-care space has not been without controversy. A living wall of plants about six metres long that stretches to the ceiling greets patients in the clinic’s waiting room on the second floor of Telus Harbour, a 30-storey, LEED Platinum office building next to Scotiabank Arena. A few years ago, Telus Health opened but then closed the doors of a family medicine clinic in downtown Toronto, a move it said was a “strategic decision” to “re-evaluate and refine our approach to supporting health-care needs in Toronto.” “This period of reflection and analysis led to the development and launch of the Telus Health MyCare Union clinic,” the company said in an email. “This new model represents an evolution of our initial concept, incorporating lessons learned and aligning more closely with our goal of improving access to primary care for thousands of Toronto residents.” In late 2022, British Columbia’s Medical Services Commission, responsible for that province’s public health insurance system, went to court seeking an injunction against a separate Telus Health program, called LifePlus, that the government alleged charged patients thousands of dollars a year for care already covered publicly — an illegal practice under the B.C. Medicare Protection Act. In April 2023, the commission and Telus Health reached an agreement and clarified processes to better distinguish insured from uninsured services, the company said. It’s unclear how much, if any, profit Telus is making on the Toronto MyCare clinic, but Engst did say its physicians bill the provincial health system just like any other public health-care clinician, with a portion of those fees going to cover support staff and overhead. A less tangible benefit for the company could be a treasure trove of potentially valuable data. And that has not gone unnoticed by privacy and public health-care advocates, who question what the Vancouver-based company is doing with its now vast holdings of personal health information. “Telus owns most of the electronic medical record (EMR) software market in Canada, including the EMR that I use. All of my prescribing information is in my EMR. Where is the data going and are they monetizing it for secondary use?” says Danielle Martin, chair of the Department of Family and Community Medicine at the University of Toronto. Danielle Martin, chair of the Department of Family and Community Medicine at the University of Toronto, says that while the MyCare Union clinic “is what every doctor and every patient wants and deserves” when it comes to physicians being able to focus on being clinicians instead of running an office, she questions why a private company is stepping in to meet demand instead of the public health-care system. Engst says Telus Health, as both a technology and health-care company, “brings unique capabilities to improve health-care delivery and access.” “To be clear, the Telus Health MyCare Union clinic supports the public health-care system by providing access to publicly insured services,” he added. Martin notes that the province already funds models similar to the MyCare clinics through family health teams and community health centres, but these interprofessional teams — which include not only doctors, but also nurses, social workers, dietitians and pharmacists — only cover about 30 per cent of the population. “This is what creates a market for Telus, because doctors prefer to work in an environment like that and patients prefer to get care in an environment like that,” says Martin, who is also a family doctor. But she questions what Telus Health does with the patient data it retains. “Telus owns most of the electronic medical record (EMR) software market in Canada, including the EMR that I use. All of my prescribing information is in my EMR. Where is the data going and are they monetizing it for secondary use?” Martin says. In an email, Telus Health said it does not sell any data collected by its virtual-care platforms, including MyCare, and is “deeply committed” to the internationally recognized Privacy By Design principles. Privacy by Design, created by Ontario’s former privacy commissioner Ann Cavoukian, is a system based on seven principles intended to proactively embed privacy into information technology and business systems. “All data collected from our services are treated as personal health information and handled in accordance with the rigorous laws and best practices applicable to personal health information,” the company said. 19 Estimated number of hours per week family doctors spend on administrative work Source: Ontario Medical Association Toronto Star graphic Back at the MyCare Union clinic, Wijesundera says the technology deployed by Telus Health is what made working at the clinic attractive as a new medical grad who wants to spend more time seeing patients and less time doing paperwork. “This is potentially going to solve physician burnout,” he says. The Ontario Medical Association reports that family doctors spend about 19 hours per week on administrative tasks, such as writing notes or filling in patient forms. “I get more time to look at the patient, have a conversation and it’s not just me on the computer typing. It’s a nice interaction. The patients feel heard as well.”