The question sounds so basic and friendly. But it’s actually loaded, as many mothers can attest. “Do you just love getting to be home with him all the time?” asks the younger, more put-together woman in the supermarket. “Must be so wonderful.” Wonderful, of course — and sometimes brain-numbing and soul-draining too, some exhausted fulltime moms might reply. Especially if, like Amy Adams’ character in Marielle Heller's “Nightbitch," they’d left their prized art gallery job to this other woman. And so Adams responds, twice, showing in this very opening scene exactly why her typically brave, brutally frank performance lifts this movie from an oddly uneven script to something unequivocally worth seeing. First we get the honest answer, the one no one really gives until later in the shower: she feels “stuck inside of a prison of my own creation,” where she torments herself and ends up binge-eating Fig Newtons to keep from crying. She is angry all the time. Oh and, she has gotten dumber. Then we rewind and director-writer Heller has Adams give her real answer: “I do, I love it! I love being a Mom.” There we are, two minutes and 13 seconds into “Nightbitch” and you may already find yourself wowed by Adams. If not, just wait until her Mother is sitting at a chic restaurant with a bunch of colleagues from the art world, and her fangs come out. And we don’t mean figuratively. We mean literally. Let’s go back to the beginning, shall we? “Nightbitch” is based on the 2021 novel by Rachel Yoder, a feminist fable that the author has said came from her own malaise when pausing work for child-rearing. She sets her tale in an unidentified suburb of an unidentified city. Mother (characters all have generic names), formerly an admired installation artist, spends her weekdays alone with her adorable, blond 2-year old Son. Husband has a job that seems to bring him home only on weekends. The early scenes depicting Mother’s life are tight and impactful, a contrast to the confused havoc that will come toward the end of the film. Life revolves around the playground and the home, with occasional trips to storytime at the library where she notes, in narration, that she has no interest in the company of other moms — why should they be friends just because they're moms? In fact, Mother lives in solitude, and director Heller does a nice job illustrating how that feels you can almost feel the weight of the afternoon coming around, at this comfortable but hardly ostentatious home, when it’s too early for dinner and you’ve done all the activities already and you wonder if you can make it through the day. Then things start to get weird. In the bathroom mirror, Mother starts noticing things. Her teeth are getting sharper. There’s something weird coming out of an apparent cyst at the bottom of her spine. She finds extra nipples. And that’s before she starts eating rare meat. (Also, if you love cats, you may want to close your eyes at one point.) Somewhow Adams, who also produces here, makes these things seem, if not quite natural, then logical. What's happening is that Mother’s frustration is becoming ferocious. Dangerously ferocious. But also — empowering. At night, or so she thinks, she is a wild dog. Aspects of the film work wonderfully. Mother’s relationship with Son (twins Arleigh and Emmett Snowden) is lovely, largely due to a decision to let the young boys talk freely, with the adult actors reacting to their words. It lends a grounding realism to a film that quickly veers surreal. Less successful is the relationship between Mother and Husband (Scoot McNairy), which takes on too much importance as the film goes on, in a baffling way, rather than Mother’s transformation. (Also, just asking, has anyone in this movie ever heard of a babysitter?) More importantly, a story that posits itself on such a tantalizing idea — that by transforming into a dog, Mother discovers her true nature and power —resorts late in the game to a safer story about a marriage that never seemed appealing enough for us to care about anyway. It doesn't help that it's hard to grasp the distracting subplot about Mother’s own mother. None of this takes away from the strength of Adams’ performance. You believe her love for her child as much as you believe her resentment for what he is taking away from her. And Adams can make almost any line work, including one about a walnut. But we digress. It’s an irony that for reasons of storytelling, characters have generic names — because Adams is such a singular and particular, talent. The journey she embarks upon is bizarre indeed, but you won’t regret taking it with her. “Nightbitch,” a Searchlight Pictures release, has been rated R by the Motion Picture Association “for language and some sexuality. “ Running time: 98 minutes. Two stars out of four. Jocelyn Noveck, The Associated Press

GREEN BAY, Wis. (AP) — Green Bay Packers coach Matt LaFleur hopes the homework he did earlier this month will help his team deal with its compressed schedule over the next couple of weeks. The Packers’ Sunday over the San Francisco 49ers began a 12-day stretch in which they play three games. They’re back at Lambeau Field on Thursday night to host the Miami Dolphins before visiting the NFC North-leading Detroit Lions the following Thursday. LaFleur prepared for this. When the Packers had a bye Nov. 10, LaFleur said he spent the extra time studying the Dolphins, knowing he’d have little time to prepare for them this week. “I watched pretty much every snap of Miami knowing this was coming, so made my notes, had kind of a preliminary plan for that,” LaFleur said. The Packers (8-3) showed they could thrive in these quick turnaround situations last year, when they at Detroit four days after at Lambeau Field. The difference this time is that the Packers will play another Thursday game a week after their Thanksgiving matchup against the Dolphins. Playing three games in so short a time frame could take a long-term physical toll as they head into the stretch run of the regular season. They started this three-game set by producing their highest point total since in their 2023 season opener. “I think collectively as a whole, especially on offense, I feel we’re getting back into a rhythm,” quarterback Jordan Love said. The Packers understand the importance of this stretch, particularly with the NFC North-leading Lions looming next week. Although Green Bay has put itself in good position to earn a playoff berth, the Packers have little margin for error if they want to catch up to the Lions (10-1) or Minnesota Vikings (9-2) in the NFC North race. The Packers to at home and are just 1-2 within the division. “We know going down this stretch every game is going to be important, every practice is going to be important, every meeting, whatever the case may be is going to be important,” safety Xavier McKinney said. “So we’re looking forward to this challenge.” What’s working The Packers shored up their by scoring touchdowns on each of their five trips inside the 49ers 20-yard line. It was the first time since 2017 the Packers had posted a perfect red zone percentage in a game while getting inside the opponent’s 20 at least five times. Green Bay entered the game having converted just 48.7% of its red zone possessions into touchdowns to rank 27th in the NFL. ... The Packers had 169 yards rushing to increase their season total to 1,668. That’s their highest total through the first 11 games of a season since 2003. ... After allowing a season-high 179 yards rushing in a at Chicago, the Packers limited the 49ers to 44 yards on 16 carries. What needs work Not much. The Packers squandered a scoring opportunity late in the second quarter and could have led by more than 17-7 at the beak considering how they had dominated play up to that point, but this otherwise was a pretty crisp performance. Stock up McKinney broke up a fourth down pass and had a 48-yard interception return that led to a touchdown. McKinney has seven interceptions this season to tie Detroit’s Kerby Joseph for the NFL lead. ... RB Josh Jacobs rushed for 106 yards and three touchdowns. Jacobs has seven touchdowns (six rushing, one receiving) over his past five games. ... DL Rashan Gary has 2 1/2 sacks over his past three games. Gary also forced a fumble Sunday. ... One week after blocking a field-goal attempt as time expired to preserve Green Bay’s victory at Chicago, DL Karl Brooks recovered a fumble to set up a touchdown. ... K Brandon McManus made a 51-yard field goal, converting Green Bay’s first attempt from 50-plus yards this season. Stock down WR Christian Watson had no catches and dropped a potential 49-yard touchdown pass. Watson’s struggles came just a week after he caught four passes for a career-high 150 yards against the Bears. Injuries WR Romeo Doubs left the game with a concussion. CB Jaire Alexander (knee) and LB Edgerrin Cooper (hamstring) didn’t play. Key numbers 800/6: Jacobs has rushed for 944 yards and seven touchdowns this season which means he has run for at least 800 yards and six touchdowns in each of his first six NFL seasons. The only other players since 2000 to rush for at least 800 yards and six touchdowns in each of their first six seasons are Hall of Famer LaDainian Tomlinson, Ezekiel Elliott and Adrian Peterson. Next steps The Packers could get a strong test from the Dolphins (5-6), who are playing better than their record indicates. games by a combined score of 91-49. ___ AP NFL: