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ORLANDO, Fla. (AP) — Ramiro Enrique scored a first-half goal and that was all goalkeeper Pedro Gallese would need to lead Orlando City to a 1-0 victory over rival Atlanta United in an Eastern Conference semifinal at Inter&Co Stadium on Sunday. No. 4 seed Orlando City, in its first trip to the conference final, will host the seventh-seeded New York Red Bulls next Saturday or Sunday with a trip to the MLS Cup final on Dec. 7 on the line. The Red Bulls have made the playoffs in 14 straight seasons but never won the Cup. Orlando City grabbed a 1-0 lead in the 39th minute on an unassisted goal by Ramiro Enrique , who scored off a corner kick that struck the chest of teammate César Araújo near the goal. It was the first goal contribution for Enrique in seven playoff appearances. He scored eight times in the regular season - his second in the league. Gallese did not have to make a save in his 10th career postseason start — all with Orlando City. Three of his five shutouts in the playoffs have come in the past two seasons. He had eight clean sheets during the regular season. Brad Guzan saved three shots for Atlanta United. He has started 18 times in the postseason for Atlanta United following four starts for Chivas USA in 2006-07. RELATED COVERAGE Bruce Arena hired by San Jose Earthquakes to take over as coach and sporting director Lionel Messi earned more than the entire payrolls of 22 other MLS teams in 2024 Messi Mania helps drive record growth for MLS Atlanta United lost Daniel Ríos to concussion protocol four minutes into the second half and Ronald Hernández replaced him. Atlanta United has had the upper hand in the series during the regular season, posting an 11-4-7 record. Atlanta United won both matchups this regular season — 2-1 on the road and 2-0 at home. The two clubs had never met in the postseason. ___ AP MLS: https://apnews.com/hub/major-league-soccer

As we build toward the 2024 Billboard Music Awards on Dec. 12 and Billboard’s Year-End Charts reveal on Dec. 13, check out our editorial list of staff picks for the best K-pop albums of the year. As is seemingly tradition, the K-pop industry has plenty to celebrate when reflecting on the year’s album milestones. 2024 featured record-breaking achievements, inventive breakthroughs and a wealth of impactful projects to solidify K-pop’s ever-growing global presence as a commercial and creative force. Stray Kids, ATEEZ and TWICE dominated the Billboard 200, earning their fifth, second and first No. 1 albums in America, respectively. Their successes contributed to a historic moment when three K-pop acts—BTS’ Jin, ENHYPEN and ATEEZ—simultaneously ranked in the top 10. Elsewhere, celebrated projects led several artists to their first-ever appearances on the Billboard 200, while rising, next-generation stars P1Harmony and BOYNEXTDOOR climbed to new peaks. But 2024 wasn’t just about breaking records, but also a year when artists pulled listeners deeper into their worlds. Beloved solo stars like ONEW, Baekhyun, Yves and D.O released their first projects under new labels, showcasing their individuality after departing longtime agencies. Meanwhile, superstars like IU, RM, DAY6, SEVENTEEN and tripleS delivered some of their most ambitious work yet, blending innovative concepts with personal storytelling. From K-pop icons to promising rookie acts, R&B wunderkinds and even one virtual boy band, check out our full list of the best K-pop album below — and be sure to check for our top K-pop songs of 2024 list, too. P1Harmony rises up the charts chart with each album release, and September’s Sad Song EP didn’t just mark their best positions yet (No. 16 on the Billboard 200 and No. 1 on World Albums), but their most expansive and involved work to date. The title track/single allowed P1H the chance to play with Latin pop and hip-hop sounds as the members took more creative control on songs they felt would round out their live setlists and become future fan favorites. Intak and Jongseob teamed up for the rap cut “WASP,” Jiung took the lead on rock anthem “Last Call,” as leader Keeho brought light reggae vibes for “It’s Alright.” No sad songs here — just impressive versatility shooting P1Harmony up the charts. – Jeff Benjamin RESCENE is a rookie girl group to keep your eye on in 2025. Living up to their name, which combines “scene” and “scent,” every corner of their first EP is infused with fragrant nostalgia and glistening melodies. From the dreamy pop ballad “New World” and blissed-out R&B of “Pinball” to their crown electro-pop jewel “LOVE ATTACK,” SCENEDROME is less sensory overload than a smooth spritz of perfume. Opener “Lucky You,” meanwhile, has a regal elegance that seems to signal the arrival of new K-pop queen bees. — Abby Webster Jin’s much-anticipated first set since being dismissed from military service in June is an impressively realized pop-rock debut. The open-road singalong “Running Wild” sounds like a lost banger from The Killers’ classic period, while “I’ll Be There” could have been a Fitz and the Tantrums favorite 15 years earlier. It’s not all ’00s retro, though: WENDY duet “Heart on the Window” has an ’80s-derived smoothness and modern pop sheen that could actually slot it right between Harry Styles and Sabrina Carpenter jams on contemporary top 40. Like pretty much every solo debut from a BTS alum thus far, Happy shows Jin already firmly in his own lane, and ready to speed toward individual success. — Andrew Unterberger EPEX solidified their place as a K-pop force to be reckoned with in 2024 with two full-length albums to showcase and expand their musical and conceptual ranges. Youth Chapter 2: Youth Deficiency captures a nuanced message of embracing deficiencies as part of one’s journey, presenting a relatable narrative that can resonate with today’s youth and flip the definition of deficiency. The LP builds on the foundation laid by Youth Chapter 1: Youth Days (which made Billboard ‘s Best K-Pop Albums of the Year So Far list earlier this year), which highlighted the ordinary moments of adolescence. In contrast, Chapter 2 ‘s eight tracks delve into themes of imperfection, choice and personal growth via standouts like the anthemic pop single “UNIVERSE,” the nostalgic synth-pop-rock gem “1997” and the reflective “Loner.” — J.B. Anchored by creatively contrasting singles like the rebellious, boundary-pushing “Dangerous” and the self-assured synth-pop anthem “Nice Guy,” BOYNEXTDOOR’s 19.99 encapsulates youthful camaraderie and freedom. The group’s ability to channel real-life experiences into their music adds an authenticity that resonates deeply with fans, helping them secure 19.99 as their first No. 1 on Billboard ’s World Albums chart and hit the top 40 of the Billboard 200, previewing the potential of these standout rookies. — J.B. IVE SWITCH cements the girl group’s status as industry trendsetters by showcasing their versatility and depth. With two lead singles, the irresistible, “No Diggity”-sampling party anthem “HEYA” and the intricate, tempo-shifting “Accendio,” the album balances commercial appeal with creative risk-taking. Meanwhile, tracks like “Ice Queen” and “Blue Heart” further enrich the record and speak to IVE’s larger themes of self-love, the latter being penned by member Jang Wonyoung as a meditation on the challenges of K-pop idol life, metaphorically describing the transformation of an idol’s heart into something icy yet resilient. — J.B. Stray Kids’ fifth No. 1 album on the Billboard 200 in under three years presents the octet succeeding in an impressive variety of styles. The growling rap-rock of album opener “Mountains” and near-reggaetón thunderousness of hit single “Chk Chk Boom” make for a bombastic one-two opening, but “Runner” starts out marching to a near-militaristic NY drill beat, then takes flight into a soaring drum-n-bass chorus. Meanwhile, “Twilight” marinates on a low-key piano shuffle, and the group’s self-titled anthem plays like a fist-pumping version of Justin Bieber’s “Ghost,” complete with one of the year’s best sing-along choruses. The Stray Kids might’ve ATE with the eight-track set, but their fans will also certainly leave feeling fed. — A.U. For the iKON member’s long-awaited full-length solo album, Nakseo makes a deeply personal and versatile record: DK wrote and co-produced every track. From the mellow, guitar-laden vibes of “LTNS” to the irresistible soul of “Groovin,” the album masterfully bridges R&B and K-pop to show his appreciation for both worlds. Collaborations with artists like Punch and his iKON bandmate Bobby enhance the album’s dynamic range, as do the album’s explorations of electronic and dance elements to add vibrancy to DK’s sonic palette. Closing with tracks like “??” and “Genre” leave the LP as an open-ended invitation for what’s to come and what DK can offer in his future musical moves. – J.B. While initially establishing themselves as princes of dark K-pop, ENHYPEN has been embracing lighter sounds and tones in recent releases to consistently great results. The initial ROMANCE : UNTOLD album was centered around excellent, experimental pop singles like “XO (Only If You Say Yes)” — co-produced by “Golden Hour” star JVKE — and the Cirkut-helmed “Brought the Heat Back.” The -daydream- expanded reissue tacks on two tracks with “Daydream” and “No Doubt,” which use brilliantly subtle minimalism to show that not every K-pop smash needs to go toward maximalism. – J.B. D.O. titled his third mini album BLOSSOM to represent his artistic development and growth, which is undeniably felt with his first music project under his independently established agency, Company SooSoo, inspired by his full name Doh Kyung Soo. The personal touches stemming from D.O.’s own label are felt throughout BLOSSOM , which ranges from fanciful to introspective for a cohesive EP. Lead single “Mars” enchants with its whimsical charm and sounds like it could easily make its way onto top 40 pop radio, while standout album cut “Simple Joys” highlights D.O.’s animated vocal delivery against an ocarina-focused production (both are co-produced by Norwegian singer-songwriter Peder Elias). Meanwhile, the buzz single “Popcorn” delights with its playful whistle hook, delivering a bouncy, earworm-worthy experience. We hear true growth in the EP’s final tracks like the acoustic-led “My Dear” and the poignant closing ballad “About Time,” which explore themes of love, regret and self-reflection. With BLOSSOM , D.O. proves that his journey as an independent artist is just beginning to bud. — J. B. ZEROBASEONE’s You Had Me at HELLO blends the polished production we’ve come to expect from the mega-selling boy band with satisfyingly complex details. Tracks like “Solar POWER” and “Feel the POP” shift tempos and genres while “SWEAT” has a soulfulness to an otherwise standard party jam. Meanwhile, “Dear ECLIPSE” dips into R&B territory to highlight the members’ soaring falsettos as the heartfelt harmonies in “HELLO” underline a maturity that transcends their origins on the singing competition Boys Planet . These layers make the album both approachable and rewarding for deeper listening. – J.B. SEVENTEEN deserve a victory lap. Last year, the self-producing K-pop superstars sold a reported 10 million albums globally, with two projects reaching the upper echelons of the Billboard 200 . That’s not what really matters, according to them: “I don’t need money or fame,” the guys say in their latest and embody in lead single “LOVE, MONEY, FAME” featuring DJ Khaled. But between seductive disco sashaying (“Rain”) and infectious Miami bass bounce (“Eyes on You”), Spill the Feels is still a toast to their unending ambition. Nowhere is this clearer than on “Water,” a braggadocious trap banger from the Hip-Hop Team: “I stand on oceans,” they rap. “Yet I still feel thirsty.” — A.W. Trust Me is an apt title for the decade-long wait for the GOT7 member’s project, which acts as a masterclass in blending R&B, hip-hop and pop through its 14 tracks. From the sultry bossa nova opener “LA SOL MI” to the nostalgic ’80s synths of “SHINE” with K-diva Sumin, and the effortless hip-hop hooks in “1 M I N U T E ,” Trust Me offers one of the most satisfying listening experiences in K-pop this year. The LP balances moody, sultry R&B moments with brighter, smoother pop highlights. His knack for collaborations shines, particularly on the seductive “Ponytail” with Sik-K and the introspective “Say Nothing” featuring LeeHi. While R&B-pop producer mastermind GRAY is the most frequent collaborator on the record, tracks like the all-English closing cut “Summer Blues” — produced by Korean-music veteran and XG collaborator Chancellor — push Yugyeom to new areas to flex skills beyond any one style or genre. — J.B. A project from former LOONA members HaSeul, HeeJin, Kim Lip, Choerry and JinSoul, ARTMS (the name is inspired by the Greek goddess of nature and wild animals) officially debuted this year with DALL under the recently launched label MODHAUS. If you loved LOONA’s melodies but wished the group had enjoyed a bit more leeway to get weird, ARTMS is for you. “Usually, the company tells us what to do, but now, since we’re active players and debuting again, we wanted to work on the identity of ARTMS. We gave a lot of input in the songs and concepts,” HeeJin told Billboard in October . The pumping pop of “Virtual Angel” shows off their gorgeous vocal blend; “Sparkle,” which the group wrote the lyrics for, has a swaggery ‘90s R&B flavor; “Flower Rhythm” brings to mind Ariana Grande when she’s melding the dancefloor with R&B rhythms; and “Candy Crush” – with its pillowy horns and even a flute – is as irresistible as the game. The album’s most unexpected moments might be its best. “I’m falling into your kaleidoscope” they sing on the woozy, disorienting “Butterfly Effect,” which sets the stage for the dark electro of “Birth,” an ambitious, marvelous song that evokes Reputation -era Taylor and explores how love can go wrong. — Joe Lynch Upon release, Fourever marked a triumphant new chapter for DAY6 to solidify the K-pop rock band’s place as a force in both the K-pop and global rock scenes with a reinvigorated sound. The project’s success was underscored by the chart-topping album cut “HAPPY,” which not only hit No. 1 in South Korea but also earned the band their first entry on the Billboard Global Excl. U.S. cha r t . With revving guitars and anthemic chorus, “HAPPY” encapsulates a universal yearning for joy, as the members plead “May I be happy?” and affirm their resolve with, “So help me / ...Tell me it’s okay to be happy.” Meanwhile, the album’s opening track and lead single, “Welcome to the Show,” signals DAY6’s readiness to take on the world’s biggest stages with stadium-sized, exhilarating hooks (the song seems like an instant crowd-pleaser and future concert staple). “The Power of Love” delights with buoyant synths, while “Get the Hell Out” channels punk fury with pounding drums and biting lyrics, and the haunting “Sad Ending” rounds out the album, blending eerie piano work with layered vocals to create a chilling, emotional closer. As DAY6 gear up for their 10th anniversary in 2025, this album cements their status as K-rock stars primed for growing recognition. – J.B. NMIXX lapped a few of their K-pop peers this year, all thanks to Fe304: Break ’s artful course correct that transformed the experimental girl group’s signature, polarizing “MIXX pop” genre-mashing into more of a subtle deconstruction. This time, singles “DASH” and “Soñar (Breaker)” kept pace instead of mid-song tempo switches that derail momentum. Spread out over 20 minutes, this rollicking EP is a rollercoaster ride of country twang and rock ( “Run for Roses” ), industrial hip-hop (“BOOM”), pulsing Jersey club (“Passionfruit”), delicate R&B (“XOXO”) and more. It’s thankfully not a total revision of their unique sound, which is why this “NMIXX, change up” sticks the landing. — A.W. A testament to Baekhyun’s artistic independence, Hello, World marks the EXO member’s first project outside his longtime label, SM Entertainment. The album showcases a newfound approach — he told Billboard how he was deeply involved in every aspect, from production to visual storytelling. Tracks like the bossa nova-inspired “Rendez-Vous” and the synth-pop lead single “Pineapple Slice” strike a perfect balance between his signature silky R&B stylings and experimental departures. Meanwhile, the powerhouse vocalist takes on new artistic challenges, like the rap-inspired “Cold Heart,” which highlights his growth as a performer. Hello, World is not just Baekhyun reclaiming his place as one of K-pop’s top soloists, but a reintroduction and a bold new era for his career. — J.B. Yves has big things on the horizon, and she knows it: “You know I fly high, just feel it/ I’mma go far, just give me a minute,” she bids on the A.G. Cook-inspired lead single “Viola,” a testament to the burgeoning soloist’s serious aesthetic chops. On the heels of that sonic sledgehammer (“Let’s get dumb and break sh-t,” it opens) come silky and sulky B-sides “Hashtag” and “Gone Girl” : “You’re five-star criminal for putting me aside,” Yves grouses with panache on the former. I Did ‘s closer “DIM” is truly in a lane of its own — the instrumental outro is a tearjerker even sans words. — A.W. A new chapter for ONEW following the SHINee leader and soloist’s departure from SM Entertainment, FLOW lets the K-pop veteran step into a more hands-on creative role, writing all six tracks to curate a more personal project in his first under GRIFFIN Entertainment. With a blend of dreamy synth-pop, jazz influences and innovative vocal deliveries, FLOW showcases ONEW’s artistry as both a performer and songwriter, capturing the essence of a seasoned artist unafraid to push boundaries. Lead single “Beat Drum” encapsulates the album’s playful yet profound themes, pairing percussion-driven beats with clever lyricism to reflect ONEW’s nearly two decades of dedication to music. The EP is a testament to his growth as an artist and the opportunities provided by GRIFFIN, a place that can encourage him to flourish to cement his legacy as a K-pop trailblazer but also set the stage for even greater heights in his solo career. – J.B. A landmark K-pop album of 2024, ASSEMBLE24 proves that a 24-member girl group can craft a cohesive and accessible listening experience. For the first time, every member of the two-year-old tripleS girl-group project united to deliver a genre-spanning record that is as ambitious as it is satisfying. The LP is centered around the empowering lead single “Girls Never Die,” which ingeniously ensures that each member gets a moment to shine and remains true to the LP’s name that all 24 stars are assembled and ready for action. The album’s sonic standout moments are plentiful: “White Soul Sneakers” delves into Afrobeats and acid funk amid entertaining tempo and musical shifts; “Midnight Flower” charms with a bubbly, ’80s-inspired pop-rock foundation; “Dimension” embodies a New Jack Swing groove; and “24” channels quintessential tripleS with strong synths, playful hooks and groovy percussions. ASSEMBLE24 feels like a celebration of the type of creativity and unity that is especially unique to K-pop. — J.B. “I’m a bit rusty,” NCT 127 say on “Walk,” though the line isn’t meant to be self-effacing. Rather, it’s a humble brag about the team’s je nais se quois — which has remained strong amid member exits and hiatuses — on full display on their sixth studio album. As always, the masterful production is in top form thanks to SM Entertainment’s elite squad behind the scenes. There are enchanting details to home in on with every song: saxophone grooves (“Orange Seoul”), dirty basslines (“Pricey”) and noirish, neo-soul flutes (“Rain Drop”). Plus, “Can’t Help Myself” and “No Clue” reassert their status as vocal powerhouses in the K-pop industry, rounding out one of their most cohesive projects yet. “I’m in the studio day and night,” Mark raps on “Intro: Wall to Wall.” And the effort is evident. — A.W. As a virtual boy band, PLAVE could have technically focused on a number of aspects beyond great songs but the CG-crafted boy band has music at its heart. ASTERUM: 134-1 opens with the smooth,r reggaeton-infused “Watch Me Woo!” — a track that will immediately grab anyone’s attention — before diving into the rock-pop brilliance of centerpiece single “Way 4 Luv.” Emotional highlights like “From” showcase the group’s harmonies over stark piano, while “Our Movie” picks up with R&B production mixed with shout-along choruses. The standout “Virtual Idol” directly confronts skeptics of PLAVE’s artistic legitimacy, flipping the narrative with a self-empowerment anthem built on an infectious hip-hop production. While PLAVE’s members are virtual, their talents are anything but artificial. Utilizing motion-capture technology, they bring a human depth to their projects, which is mirrored in the album’s masterful songwriting and production, with all five members heavily involved in crafting the sound. — J.B. “It’s us speaking to each other and encouraging each other,” Jihyo told Billboard in February of With YOU-th . It was clearly a conversation fans wanted to here; the next month, the EP gave TWICE their first No. 1 on the Billboard 200. The six-song project is bookended by tracks that emphasize the nine-piece band’s togetherness: “I Got You” is a sparkling, buoyant anthem with Carly Rae Jepsen vibes about how the girl group’s members rely on each other in a crazy world, and closer “You Get Me” is an uplifting song about a friend who always sees “the best me.” In between, TWICE flaunt determination and attitude on the thumping, chant-filled “New New,” flex into lightly funky territory on “BLOOM” (written by Jeongyeon) and experiment with Jersey club on “Rush,” which Chaeyoung wrote after finding inspiration in PinkPantheress. And they’re not slowing down – they recently dropped Strategy , featuring Megan Thee Stallion on the simmering title track. – J.L. IU did something rather unique when it comes to her (immaculate) discography: She released an album full of positivity. While the K-pop queen has released some of K-pop’s most devastatingly beautiful and masterfully melancholy songs, The Winning explores IU’s internal growth and personal satisfaction. Anchored by the poignant ballad lead single “Love Wins All,” which stars IU alongside BTS’s V in its cinematic music video, the anthemic track provides a grounded sense of hope. From the groove percussion on “Holssi” where IU confidently declares, “Fly high to bloom/ ...I’m gonna go to win,” to the aspirational synth-pop of “Shopper,” plus the seamless blend of musical generations and styles for “Shh..,” featuring NewJeans member Hyein, rock singer Wonsun Joe and narration from 86-year-old Korean music legend Patti Kim, the project epitomizes IU’s ability to innovate while maintaining a timeless essence. As we approach the end of 2024, The Winning is particularly apt title for IU’s latest project after the starlet sold out her first-ever U.S. tour this year, hitting six arenas across the States in support of the EP. — J.B. RM’s Right Place, Wrong Person is not just the best K-pop album of 2024 — it’s one of the year’s most daring musical statements across any genre. Across a tight 34 minutes, RM lays bare his psyche for listeners to enter, navigating themes of identity, vulnerability and liberation. Tracks like the introspective “Come Back to Me” (the English pre-release single would sound right at home on alternative radio) and the boundary-pushing “Domodachi,” featuring Little Simz, (boasting a blend of languages, emotions, sounds and cultural aspects) highlight his willingness to experiment to the point that the LP is as intricately sonic as it is emotionally personal. Building on the excellence of his 2022 solo debut Indigo (which Billboard named the best K-pop of that year ), this latest effort is a monumental leap and spits in the face of genre confines. RM effortlessly shifts from hip-hop to jazz, Afrobeats to punk while maintaining an artistic coherence uniquely his own. The album’s lyrics—balancing self-interrogation with poignant social commentary—find their perfect counterpart in lush productions crafted by his trusted TEAM RM collaborators, showcasing RM’s growth as both a musician and a storyteller. Beyond the music, RPWP gains added resonance through its companion documentary, RM: Right People, Wrong Place . The doc captures the BTS leader’s creative journey and the dichotomy between RM, the global superstar, and Kim Namjoon, the ordinary young man. This pairing of album and film solidifies RM’s position as a pioneer in making K-pop more personal and accessible today, but also as a vital voice in contemporary music. Whether he believes it, RM is indeed the right person in the right place to blend raw authenticity with visionary artistry to create a masterwork to transcends cultural and genre boundaries — and push us toward living in a less divided world. —J.B.

NoneBy MICHAEL MAROT AP Sports Writer INDIANAPOLIS — Oregon quarterback Dillon Gabriel came to Indianapolis in July with a purpose. He wanted a sense of what Lucas Oil Stadium was like before making what he hoped would be a return trip in December. On Saturday night, he’ll be back on the same turf. Plenty has changed for Gabriel and the Ducks since they came to town all those months ago for their inaugural Big Ten media day appearance. No. 1 Oregon sits atop the playoff seedings, remains the last unbeaten team in major college football and Gabriel has a new title – Big Ten Offensive Player of the Year. It’s been a dream season in every way for the soon-to-be 24-year-old Gabriel, right down to leading the Ducks into the conference championship game he’s been expecting. “If we didn’t think we’d be there, I wouldn’t have attended,” Gabriel said. “But I just felt really good about it. I was glad we were able to go see it (Lucas Oil), feel it, smell it. It was a good experience. Now that we’re going back with the whole squad, everyone’s excited.” Winning a conference title in his final season – and Oregon’s first season in its new league – would be the cherry on top for Gabriel now that both teams are virtual locks to make the first 12-team College Football Playoff. The winner likely earns a first-round bye, while the loser probably hosts a first-round game. There is big money at stake: The Big Ten stands to get $4 million for each school that makes the CFP and the payouts escalate beginning with the semifinals to $6 million per school; a conference whose school makes a run from the first round to the title game gets $20 million. The CFP also provides millions to cover expenses. While Oregon (12-0, 9-0 Big Ten, No. 1 CFP) was a preseason favorite to be back in town this weekend, No. 3 Penn State wasn’t supposed to make it after losing to then-No. 4 Ohio State. But the Nittany Lions (11-1, 8-1, No. 3 CFP) rebounded by winning their last four and got help last weekend when Michigan upset the Buckeyes. It’s the first time Penn State has reached a Big Ten championship title game since beating Wisconsin in 2016 – and they don’t intend to go home empty-handed this time, either. “Being from Pennsylvania, seeing that game from 2016, like I always imagined being in these shoes, being in that moment, trying to win a Big Ten championship,” running back Nick Singleton said. “Being in that moment right now feels good, but we’ve got to go out there and win it.” Gabirel concurred. “When you walk in that building everyone is excited to do stuff and ready to go,” he said. “So it’s about execution, playing clean and being who we are.” Under pressure? Though Penn State quarterback Drew Allar and Gabriel are ranked seventh and eighth in FBS passing efficiency this season, both could be under serious pressure Saturday. Defensive ends Matayo Uiagalelei of Oregon and Abdul Carter of Penn State are two of the nation’s premier pass rushers. Uiagalelei is tied for ninth nationally with 101⁄2 sacks while Carter is tied for 12th with 10. The Ducks also have another fearsome pass rusher in defensive end Jordan Burch (81⁄2). It will be a major challenge for both offensive lines, especially if Oregon right guard Marcus Harper II is out (knee). Penn State certainly isn’t complaining about playing for a trophy, but it scrambled the schedule. It began with Coach James Franklin calling an audible during last Saturday’s postgame speech, announcing that Sunday’s scheduled off-day had been scrapped so they could start cramming for Oregon. That was just the start. “It was going to be a week for rest and recovery, some strategic practices,” he said Sunday. “But we always have to be prepared for these different scenarios. So right after the game I told them, ‘We’re going to practice Sunday.’ Now it’s back to a normal week.” Franklin will be chasing his 100th win in his 11 seasons with the program. And he could be doing it with some familiar faces around him. Oregon special teams coordinator and nickel back coach Joe Lorig first worked with Franklin at Idaho State and then Franklin hired Lorig in 2019. After three seasons, though, Lorig headed to the West Coast where he opted to work for another old friend, Oregon coach Dan Lanning. Franklin doesn’t believe Lorig’s inside information will make much difference in this game. “The coordinators have all changed,” Franklin said. “So I think we both probably have a similar amount of information on each other.” The game also will be a homecoming of sorts for Penn State defensive coordinator Tom Allen and injured Oregon offensive lineman Matthew Bedford. Allen is an Indiana native who spent the previous seven seasons as the Indiana head coach. Bedford also was a five-year starter for Allen’s Hoosiers. And the Duzansky family is doubling up Saturday: Penn State long snapper Tyler Duzansky and Oregon long snapper Nick Duzansky are brothers. What: Big Ten championship game When: Saturday, 5 p.m. Where: Lucas Oil Stadium, Indianapolis TV/radio: CBS (Ch. 2), 570 AM Line: Oregon by 31⁄2 points Series record: Penn State leads 3-1 Oregon run defense vs. Penn State ground game: Nittany Lions running backs Nicholas Singleton and Kaytron Allen have been a dynamic combination this year, rushing for a total of 1,431 yards and 12 scores. The emergence of tight end Tyler Warren and backup quarterback Beau Pribula has added other elements to Penn State’s rushing attack. Oregon has been stout against the run all season, allowing just 112.2 yards per game (22nd in FBS) but if the Ducks struggle to contain Singleton and Allen, the Nittany Lions could keep the ball away from their offense – a potentially decisive twist. Oregon: Quarterback Dillon Gabriel. In a game featuring two of the nation’s most efficient quarterbacks, all eyes will be on Gabriel. The Big Ten’s Offensive Player of the Year has been the catalyst for Oregon’s high-octane offense. The 23-year-old and FBS career leader in total TDs (183) is playing in his first conference championship game. He hopes to follow in the footsteps of fellow Hawaiian star Marcus Mariota by leading the Ducks to a national championship game. Related Articles Penn State: Defensive end Abdul Carter. The athletic junior has been a menace to opponents all year, and the Nittany Lions need him to equally effective. Carter leads the Nittany Lions with 10 sacks, is tied for third in passes defensed (three) and is fourth in tackles (54), but stats don’t tell the whole story. His presence frees up others to make plays, which could be a key factor in slowing the Ducks. This will be the first meeting in this series since Penn State completed its perfect season by winning the 1995 Rose Bowl, 38-20. ... It also will be the first Big Ten title game that does not feature division champs. ... Oregon has been ranked No. 1 for seven straight weeks and was a unanimous choice this week. It also is the last remaining unbeaten FBS team this season. It’s the Ducks’ first 12-0 season since 2010. ... The Nittany Lions made only one other Big Ten championship game appearance, beating Wisconsin, 38-31, in 2016. ... Gabriel will be making his 62nd career start, an FBS record. He leads the league in yards passing (3,275) while wide receiver Tez Johnson’s nine touchdown catches rank third in the conference. ... Warren broke the Big Ten’s single-season record for receptions by a tight end with 81. ... Oregon defensive ends Matayo Uiagalelei and Jordan Burch have combined for 19 sacks. ... Franklin’s next win will be his 100th in the 11 seasons since taking the Nittany Lions job.

GEORGE TOWN, Cayman Islands (AP) — Tyson Degenhart's 25 points helped Boise State defeat Hampton 83-69 at the Cayman Islands Classic on Sunday. Degenhart had five rebounds for the Broncos (4-1). O'Mar Stanley scored 13 points and added five rebounds. Andrew Meadow shot 2 for 7 (1 for 4 from 3-point range) and 5 of 6 from the free-throw line to finish with 10 points, while adding six rebounds. The Pirates (2-4) were led in scoring by Noah Farrakhan, who finished with 23 points and four steals. Kyrese Mullen added 12 points and six rebounds for Hampton. George Beale also had 12 points. Boise State took the lead with 15:12 remaining in the first half and did not give it up. The score was 41-21 at halftime, with Degenhart racking up 10 points. Degenhart scored 15 points in the second half to help lead the way as Boise State went on to secure a victory, despite being outscored by Hampton in the second half by a six-point margin. NEXT UP These two teams both play Tuesday. Boise State hosts Utah Tech and Hampton hosts N.C. A&T. The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .

CARSON, Calif. (AP) — The LA Galaxy and the New York Red Bulls have been Major League Soccer mainstays since the league’s inaugural season in 1996, signing glamorous players and regularly competing for championships through years of success and setbacks in a league that’s perpetually improving and expanding. Yet just a year ago, both of these clubs appeared to be a very long way from the stage they’ll share Saturday in the MLS Cup Final . The Galaxy were one of MLS’ worst teams after a season of internal turmoil and public fan dissent, while the Red Bulls were merely a steady mediocrity seeking yet another coach to chart a new direction. A year later, these MLS founders are meeting in the league’s first Cup final between teams from North America’s two biggest markets. “Two original clubs being able to put themselves in this situation, I think it’s great,” Galaxy coach Greg Vanney said. “To see two clubs that have been at it as long as this league has been around be here, I think it’s a special moment. Couldn’t be two more different and contrasting styles as well, which could make for an interesting game, and I would imagine a high-intensity game.” Everything changed in 2024 after a dismal decade for the Galaxy , who are favored to cap their transformation by winning their team’s record sixth MLS championship with a roster that’s dramatically different from its past few groups — albeit with one massive injury absence in the final. RELATED COVERAGE Woltemade’s second half brace leads Stuttgart comeback to beat Union Berlin Atalanta tops Serie A after late win over AC Milan while Inter goes 13 games unbeaten Foden and Ake to miss Man City’s game at Crystal Palace The transformation of the Red Bulls happened only in the postseason, when a team that hadn’t won a playoff game since 2017 suddenly turned into world-beaters under rookie coach Sandro Schwarz. New York struggled through the final three months of league play with only two wins before posting road playoff victories over defending champ Columbus , archrival New York City FC and conference finalist Orlando to storm into the Cup final. “We know about the history (of our club), and we know tomorrow will define what that could mean,” Schwarz said Friday. “To feel the pressure for tomorrow, it’s necessary, because it’s a final, and without pressure it’s not possible to bring the best quality on the field.” The Red Bulls have never won an MLS Cup, only reaching the championship match once before. What’s more, they’ve somehow never won a Cup in any tournament, although they’ve collected three Supporters’ Shields for MLS’ best regular-season record. The Galaxy’s trophy case is large and loaded, and those five MLS Cups are on the top shelf. But not much of that team success happened in the past decade for the club that famously brought David Beckham, Zlatan Ibrahimovic, Robbie Keane, Steven Gerrard and many other international stars to Hollywood. In fact, this season has ended a grim era for the Galaxy, who haven’t lost all year at their frequently renamed home stadium — which was the site of protests and boycotts just a year ago. The club’s fans were tired of LA’s steady underachievement and ineptitude in the front office run by team president Chris Klein, who was fired in May 2023. One year ago Thursday, the Galaxy hired Will Kuntz, a longtime Los Angeles FC executive who engineered his new club’s roster transformation, most dramatically by landing new designated players Gabriel Pec and Joseph Paintsil — two international talents that LAFC also had in its sights. “I give Will and the group up there a ton of credit,” Vanney said. “It’s one thing to have players you like, and it’s a whole other thing to get them here and get them to connect with your group.” Pec and Paintsil combined for 32 goals and 27 assists while boosting the incumbent talents of striker Dejan Joveljic and Riqui Puig, the gifted Barcelona product who runs the offense from the midfield. The Galaxy clicked in the postseason, scoring a jaw-dropping 16 goals in four matches. Puig has been the Galaxy’s most important player all season, but he won’t be in the MLS Cup Final after tearing a knee ligament late in last week’s conference final victory over Seattle . The loss of Puig — who somehow kept playing on his injured knee, and even delivered the game-winning pass to Joveljic — makes the Galaxy even more difficult to anticipate. “He played a lot in the regular season, so it was not so easy to analyze all these games now without him,” Schwarz said. “But the main focus is to analyze what we need to do, because it’s not clear now how they’re playing without him.” The Galaxy could give some of Puig’s responsibilities to Marco Reus, the longtime Dortmund standout who joined LA in August. Reus is nursing a hamstring injury, but Vanney expects him to play. ___ AP soccer: https://apnews.com/soccerWhat is Sleepmaxxing? Here’s what we know about TikTok’s newest obsession

LAHORE, (UrduPoint / Pakistan Point News - 24th Nov, 2024) Minister for Planning, Development and Special Initiatives Prof. said on that the wanted to sabotage the journey of national development once again. Addressing a press conference here at Model Town, he said that only courts were empowered to release the founder, and "we will never let to be damaged for the ego of a single person". He said the founder could not be released through an executive order, and he should prove his innocence in the . He said the founder was in not to fulfill legal requirements but on the charges of theft, fraud and sedition. During the regime, he said, the leaders got justice the courts and did not appeal to the for their release jails. Ahsan Iqbal said that there was irrefutable evidence against the founder in the cases of Tosha Khana and Al-Qadir Trust, and his legal team was using delaying tactics in his cases. is not appearing in the despite taking bail, as she fears that she would not be able to avoid punishment by participating in the process, he added. The federal minister said that was moving on the way to development, and the stock was showing bullish trends. He said maintaining was a responsibility of the . Necessary measures were inevitable to thwart ambitions of the "anarchist" group, he said and offered apology for the inconvenience caused to citizens due to closures. The acted like a organisation on 9, and no good could be expected it now, the minister said adding that those who invited external powers to intervene in could not be well-wishers of the country. Ahsan said those calling for protests and sit-ins again and again had been rejected by people, as their real faces had been exposed now. He said the wanted to spread chaos in the country through sit-ins, and people would not fall for their deception anymore, and thwart its designs. Ahsan Iqbal said Ali Amin Gandapur was fully focused on the federation and , and he was not worried at about the situation in Kurram and . He said bloodshed was going on in those areas, but the resources were being used for the protests and sit-ins. He said that the founder had been portrayed on as a big leader, and that he was fighting for the constitution and law. However, he asserted that he was the 'Mahatma' who reached the power corridors by halting the system in elections. He is the person, who received 190 the public the British , and instead of depositing it in the national kitty, he had used it for his personal gain, for Al-Qadir Trust. The always obstructed the country's development process as they could not digest it, he said and added that 's friendly countries were offended during the tenure in . The first was made on Pakistan-China friendship by levelling allegations against the project; the second was made when his was coming to an end and they tried to harm Pakistan-US relations by accusing America of conspiracy; while the third was made through 's recent false statement regarding in a bid to create rift in Pakistan-Saudi Arabia relations. The minister said would present a five-year economic vision to the nation on Nov 28. He said that instead of formulating laws in the assemblies, the members were doing of anarchy, besides taking full perks and privileges as parliamentarians. In response to another question, he said that the was aware of the difficulties of people due to closure of roads, "for which we are sorry. But these measures are for the security of the state".

Baltimore Ravens quarterback Lamar Jackson kept the overall lead in fan voting numbers revealed Monday for the NFL Pro Bowl Games with Philadelphia running back Saquon Barkley a close second. Jackson topped vote-getters with 82,402 and Barkley was next, only 320 votes behind. Barkley was 4,079 votes back of Jackson in last week's first voting results. Eagles star Barkley, who set a team one-season rushing record on Sunday in a victory over Carolina, leaped ahead of Ravens rusher Derrick Henry, who fell to third on 76,582. Buffalo Bills quarterback Josh Allen was fourth on 73,627 with Detroit Lions rusher Jahmyr Gibbs fifth on 73,617. The Lions garnered the most votes from NFL fans overall followed by Baltimore, two-time defending Super Bowl champion Kansas City, Philadelphia and Minnesota. The NFL's all-star event will be staged February 2 in Orlando, Florida, for the second consecutive year as 88 players take part in skills competitions, including a flag football showdown with former NFL star quarterbacks Peyton and Eli Manning serving as coaches. Fan voting concludes on December 23. No other voting totals were revealed but top vote-getters at their position in the AFC and NFC also were revealed, including NFC rookie quarterback Jayden Daniels of Washington and wide receivers Justin Jefferson of Minnesota in the NFC and Ja'Marr Chase of Cincinnati in the AFC. js/bb