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#fc188 Nagarjuna thanks PM Modi for honoring his father ANR in 'Mann Ki Baat' tributeGeoffrey Hinton to donate some of his Nobel Prize winnings to create new annual awardAP News Summary at 6:46 p.m. EST

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Treasury Wine Estates Limited (OTCMKTS:TSRYY) Sees Significant Increase in Short InterestAuburn coach Bruce Pearl is cautioning his team not to overlook visiting Monmouth when they clash on Monday night, in what will be the Tigers' final nonconference game of the regular season. The No. 2 Tigers (11-1) have won four in a row following their lone setback against host Duke on Dec. 4. They open Southeastern Conference play on Jan. 4 against visiting Missouri. But Pearl is wary of the Hawks (2-10), who have won two of their past four games, including a victory at Seton Hall on Nov. 30. Monmouth is led by Abdi Bashir Jr., who ranks among the top 10 in the nation in scoring at 21.6 points per game. The Hawks are coming off an 88-74 win over Fairfield on Dec. 21 in what was their first home game of the season. "(Monmouth coach) King Rice's team has played a really tough schedule and played only one home game," Pearl said. "I think it says a lot and they have a great, great player in (Bashir). He's long and he can shoot it. They play an attractive style, and their record goes out the door." Auburn likely will be fine should forward Johni Broome continue his magnificent play of late. Broome, who leads the Tigers in scoring (18.5 points per game), rebounds (11.5), assists (3.3) and blocks (2.6), bounced back from a right shoulder injury scare and led his team to an 87-69 victory against then-No. 16 Purdue on Dec. 21. Broome scored 23 points and grabbed 11 rebounds to lead Auburn to its fourth win this season over a ranked opponent. With more than a week to rest, Broome figures to be good to go against Monmouth and fit to begin the tough stretch that follows. In addition to Broome, Auburn has seen stellar guard play from Chad Baker-Mazara (12.8 points per game) as well as Tahaad Pettiford and Denver Jones, who each are averaging 11.3 points per game. Bashir, who is shooting 42.9 percent from 3-point range and 42.0 percent overall from the field, has showcased his skills as one of the most explosive scorers in the country against a solid schedule. Monmouth has faced Michigan State, Rutgers and Temple in addition to its 63-51 triumph over Seton Hall on the road. In addition to Bashir Jr., Madison Durr has provided offense with 10.3 points per game and the Hawks have been solid on the boards thanks to Jaret Valencia (6.0 rebounds per game) and Jack Collins (5.3). Valencia and Collins also have been effective scorers, helping take some of the defensive pressure off Bashir at times. But Rice would like to see more consistency from his team, especially on the defensive end. The victory over Seton Hall was the only time Monmouth has held a team below 70 points this season. "We have kids who can score the ball," Rice told reporters following a loss to Lehigh Dec 4. "Abdi can score, Jaret can score, Jack can score, everybody can score. But right now our defense is one of the worst in the country because we're not committed to guarding for each other." --Field Level Media

Boise State's legacy includes winning coaches and championship momentsSAN FRANCISCO — A former OpenAI researcher known for whistleblowing the blockbuster artificial intelligence company facing a swell of lawsuits over its business model has died, authorities confirmed this week. Suchir Balaji, 26, was found dead inside his Buchanan Street apartment on Nov. 26, San Francisco police and the Office of the Chief Medical Examiner said. Police had been called to the Lower Haight residence at about 1 p.m. that day, after receiving a call asking officers to check on his well-being, a police spokesperson said. The medical examiner’s office has not released his cause of death, but police officials this week said there is “currently, no evidence of foul play.” Information he held was expected to play a key part in lawsuits against the San Francisco-based company. Balaji’s death comes three months after he publicly accused OpenAI of violating U.S. copyright law while developing ChatGPT, a generative artificial intelligence program that has become a moneymaking sensation used by hundreds of millions of people across the world. Its public release in late 2022 spurred a torrent of lawsuits against OpenAI from authors, computer programmers and journalists, who say the company illegally stole their copyrighted material to train its program and elevate its value past $150 billion. The Mercury News and seven sister news outlets are among several newspapers, including the New York Times, to sue OpenAI in the past year. In an interview with the New York Times published Oct. 23, Balaji argued OpenAI was harming businesses and entrepreneurs whose data were used to train ChatGPT. “If you believe what I believe, you have to just leave the company,” he told the outlet, adding that “this is not a sustainable model for the internet ecosystem as a whole.” Balaji grew up in Cupertino before attending UC Berkeley to study computer science. It was then he became a believer in the potential benefits that artificial intelligence could offer society, including its ability to cure diseases and stop aging, the Times reported. “I thought we could invent some kind of scientist that could help solve them,” he told the newspaper. But his outlook began to sour in 2022, two years after joining OpenAI as a researcher. He grew particularly concerned about his assignment of gathering data from the internet for the company’s GPT-4 program, which analyzed text from nearly the entire internet to train its artificial intelligence program, the news outlet reported. The practice, he told the Times, ran afoul of the country’s “fair use” laws governing how people can use previously published work. In late October, he posted an analysis on his personal website arguing that point. No known factors “seem to weigh in favor of ChatGPT being a fair use of its training data,” Balaji wrote. “That being said, none of the arguments here are fundamentally specific to ChatGPT either, and similar arguments could be made for many generative AI products in a wide variety of domains.” Reached by this news agency, Balaji’s mother requested privacy while grieving the death of her son. In a Nov. 18 letter filed in federal court, attorneys for The New York Times named Balaji as someone who had “unique and relevant documents” that would support their case against OpenAI. He was among at least 12 people — many of them past or present OpenAI employees — the newspaper had named in court filings as having material helpful to their case, ahead of depositions. Generative artificial intelligence programs work by analyzing an immense amount of data from the internet and using it to answer prompts submitted by users, or to create text, images or videos. When OpenAI released its ChatGPT program in late 2022, it turbocharged an industry of companies seeking to write essays, make art and create computer code. Many of the most valuable companies in the world now work in the field of artificial intelligence, or manufacture the computer chips needed to run those programs. OpenAI’s own value nearly doubled in the past year. News outlets have argued that OpenAI and Microsoft — which is in business with OpenAI also also has been sued by The Mercury News — have plagiarized and stole its articles, undermining their business models. “Microsoft and OpenAI simply take the work product of reporters, journalists, editorial writers, editors and others who contribute to the work of local newspapers — all without any regard for the efforts, much less the legal rights, of those who create and publish the news on which local communities rely,” the newspapers’ lawsuit said. OpenAI has staunchly refuted those claims, stressing that all of its work remains legal under “fair use” laws. “We see immense potential for AI tools like ChatGPT to deepen publishers’ relationships with readers and enhance the news experience,” the company said when the lawsuit was filed. Jakob Rodgers is a senior breaking news reporter. Call, text or send him an encrypted message via Signal at 510-390-2351, or email him at jrodgers@bayareanewsgroup.com.Prince Andrew says he ‘ceased all contact’ with alleged Chinese spy after government advice

DOWNERS GROVE, Ill. , Dec. 4, 2024 /PRNewswire/ -- Malema TM, part of PSG and Dover (NYSE: DOV ) and a leading provider of flow meter technologies for use in industrial and semiconductor applications, today announced the launch of the new Malema CIFM-88 Series DuraMassFlowTM PFA Coriolis Industrial Flow Meter. The new flow meter is suitable for chemical processing, pharmaceutical manufacturing, food and beverage production, paper applications, as well as wastewater treatment. "The updated Coriolis flow meter embodies Malema's commitment to customer satisfaction, setting a new standard for industrial applications that demand precise control of chemical processes," said Bob Lauson , General Manager for Malema. "The CIFM-88 Series represents an advancement in flow measurement with its innovative design that handles corrosive chemicals while maintaining exceptional accuracy." The CIFM-88 Series addresses a critical need in the chemical and process industries by providing enhanced accuracy, reliability and durability when handling aggressive chemistries. The new flow meter features a patented design that leverages the Coriolis principle. The CIFM-88 Series helps reduce maintenance costs and minimize downtime, thereby improving efficiency and safety for operators measuring corrosive substances such as acids and alkalis. The CIFM-88 Series is designed with sensors that simultaneously measure mass flow, density and temperature with an exceptional accuracy of ±1%, even with gas volumetric void fractions up to 30%. Its robust stainless-steel enclosure supports reliable long-term performance in harsh industrial environments while its PFA-wetted materials provide durability against corrosive chemicals, eliminating the need for other Coriolis flow meters constructed of costly exotic metals. Additionally, the CIFM-88 Series' built-in LCD panel offers real-time data on flow rate, totalized flow, temperature and density, enabling operators to monitor and optimize their processes efficiently. For complete details about the CIFM-88 Series and more information on Malema, please visit psgdover.com/malema . About Malema: Malema is an industry-leading designer and manufacturer of high-precision flow measurement and control solutions, including patented Coriolis Flow Meters and Controllers and Ultrasonic Flow Meters and Controllers, for the semiconductor and industrial sectors. Malema is part of PSG and based in Boca Raton, Florida , with facilities in San Jose, California and India . For additional information on Malema, please visit psgdover.com/malema/ . About PSG: PSG is the global pump, metering and dispensing-solution expert, enabling the safe and efficient transfer of critical and valuable fluids that require optimal performance and reliability in applications where it matters most. Additionally, PSG is a leading provider of flow meters designed to reduce waste and downtime while accurately measuring, monitoring and controlling the distribution of fluids. Headquartered in Downers Grove, IL , USA, PSG is comprised of several world-class brands, including Abaque ® , All-FloTM, Almatec ® , Blackmer ® , Ebsray ® , em-tec ® , Griswold ® , HydroTM, MalemaTM, Mouvex ® , Neptune ® , PSG® Biotech, QuantexTM, Quattroflow ® and Wilden ® . PSG products are manufactured on three continents – North America , Europe and Asia – in state-of-the-art facilities that practice lean manufacturing and are ISO-certified. PSG is part of the Pumps & Process Solutions segment of Dover Corporation. For additional information on PSG, please visit psgdover.com . PSG: Where Innovation Flows. About Dover: Dover is a diversified global manufacturer and solutions provider with annual revenue of over $7 billion . We deliver innovative equipment and components, consumable supplies, aftermarket parts, software and digital solutions, and support services through five operating segments: Engineered Products, Clean Energy & Fueling, Imaging & Identification, Pumps & Process Solutions and Climate & Sustainability Technologies. Dover combines global scale with operational agility to lead the markets we serve. Recognized for our entrepreneurial approach for over 65 years, our team of over 24,000 employees takes an ownership mindset, collaborating with customers to redefine what's possible. Headquartered in Downers Grove, Illinois , Dover trades on the New York Stock Exchange under "DOV." Additional information is available at dovercorporation.com . PSG Contact: Christopher Walsh (331) 277-8137 [email protected] Dover Media Contact: Adrian Sakowicz, VP, Communications (630) 743-5039 [email protected] Dover Investor Contact: Jack Dickens , VP, Investor Relations (630) 743-2566 [email protected] SOURCE DoverYankees get closer Devin Williams from Brewers for Nestor Cortes, Caleb Durbin

JEDDAH, Saudi Arabia (AP) — “My Driver and I” was supposed to be made in 2016, but was scuttled amid Saudi Arabia's decades-long cinema ban. Eight years later, the landscape for film in the kingdom looks much different — and the star of “My Driver and I” now has an award. Roula Dakheelallah was named the winner of the Chopard Emerging Saudi Talent award at the Red Sea International Film Festival on Thursday. The award — and the glitzy festival itself — is a sign of Saudi Arabia's commitment to shaping a new film industry. “My heart is attached to cinema and art; I have always dreamed of a moment like this,” Dakheelallah, who still works a 9-5 job, told The Associated Press before the awards ceremony. “I used to work in voluntary films and help my friends in the field, but this is my first big role in a film.” The reopening of cinemas in 2018 marked a cultural turning point for Saudi Arabia, an absolute monarchy that had instituted the ban 35 years before, under the influence of ultraconservative religious authorities. It has since invested heavily in a native film industry by building theaters and launching programs to support local filmmakers through grants and training. The Red Sea International Film Festival was launched just a year later, part of an attempt to expand Saudi influence into films, gaming, sports and other cultural fields. Activists have decried the investments as whitewashing the kingdom’s human rights record as it tightly controls speech and remains one of the world’s top executioners. With FIFA awarding the 2034 World Cup to Saudi Arabia this week, Lina al-Hathloul, a Saudi activist with the London-based rights group ALQST, said Crown Prince Mohammad bin Salman “has really managed to create this bubble where people only see entertainment and they don’t see the reality on the ground.” These efforts are part of Vision 2030, an ambitious reform plan unveiled in 2016 to ease the economy's dependence on oil. As part of it, Saudi Arabia plans to construct 350 cinemas with over 2,500 movie screens — by this past April, across 22 cities, it already had 66 cinemas showing movies from the local film industry, as well as Hollywood and Bollywood. (The Red Sea International Film Festival attracts a host of talent from the latter industries, with Viola Davis and Priyanka Chopra Jonas also picking up awards Thursday.) The country's General Entertainment Authority last month opened Al Hisn Studios on the outskirts of Riyadh. As one of the largest such production hubs in the Middle East, it not only includes several film studios but also a production village with workshops for carpentry, blacksmithing and fashion tailoring. “These facilities, when they exist, will stimulate filmmakers,” said Saudi actor Mohammed Elshehri. “Today, no writer or director has an excuse to imagine and say, ‘I cannot implement my imagination.’” The facilities are one part of the equation — the content itself is another. One of the major players in transforming Saudi filmmaking has been Telfaz11, a media company founded in 2011 that began as a YouTube channel and quickly became a trailblazer. Producing high-quality digital content such as short films, comedy sketches and series, Telfaz11 offered fresh perspectives on Saudi and regional issues. In 2020, Telfaz11 signed a partnership with Netflix to produce original content for the streaming giant. The result has been movies that demonstrate an evolution on the storytelling level, tackling topics that were once off-limits and sensitive to the public like secret nightlife in “Mandoob” (“Night Courier”) and changing social norms in “Naga.” “I think we tell our stories in a very simple way, and that’s what reaches the world,” Elshehri says of the changing shift. “When you tell your story in a natural way without any affectation, it will reach every person.” But the films were not without their critics, drawing mixed reaction. Social media discoursed ranged from pleasure that Saudi film were tackling such topics to anger over how the films reflected conservative society. As Hana Al-Omair, a Saudi writer and director, points out, there are still many stories left untold. “We certainly have a long time ahead of us before we can tell the Saudi narrative as it should be,” she said, acknowledging that there are still barriers and rampant censorship. “The Goat Life,” a Malayalam-language movie about an Indian man forced to work without pay in Saudi Arabia, is not available on Netflix's platform in the country. Movies that explore political topics or LGBTQ+ stories are essentially out of the question. Even “My Driver and I,” featured at the Red Sea festival alongside 11 other Saudi feature-length films, was initially too controversial. It centers on a Sudanese man in Jeddah, living away from his own daughter, who feels responsible for the girl he drives as her parents are absent. It was initially blocked from being made because of the relationship between the girl and the driver, filmmaker Ahd Kamel has said, even though it's not a romantic relationship. Now in 2024, the film is a success story — a symbol of the Saudi film industry's evolution as well as the growing role of women like Kamel behind the camera and Dakheelallah in front of it. “I see the change in Saudi cinema, a very beautiful change and it is moving at a wonderful speed. In my opinion, we do not need to rush,” Dakheelallah said. “We need to guide the truth of the artistic movement that is happening in Saudi Arabia.” Baraa Anwer, The Associated PressNFM Family of Lenders Named a Top Workplace by the Baltimore Sun for 13th Consecutive Year

Juan Soto could decide on his next team before or during baseball's winter meetingsNoneLinthicum, MD, Dec. 13, 2024 (GLOBE NEWSWIRE) -- The NFM Family of Lenders is proud to announce that it has been recognized as a Top Workplace by The Baltimore Sun for the 13th consecutive year. This prestigious award is a testament to the company's unwavering commitment to fostering a positive and empowering work environment. "We are incredibly honored to receive this recognition for the 13th year in a row," said President and COO Bob Tyson. "This award reflects our dedication to creating a workplace where our employees feel valued and supported. We believe that when our team thrives, so does our ability to serve our clients with excellence." The Top Workplace award is based solely on employee feedback gathered through a third-party survey administered by Energage LLC, a leading employee engagement technology partner. This confidential survey measures various aspects of the employee experience, including feelings of respect, support, growth opportunities, and empowerment to execute their roles effectively. "Earning a Top Workplaces award is a badge of honor for companies, especially because it comes authentically from their employees," said Eric Rubino, Energage CEO. "That's something to be proud of. In today's market, leaders must ensure they're allowing employees to have a voice and be heard. That's paramount. Top Workplaces do this, and it pays dividends." This recognition underscores the NFM Family of Lenders' dedication to its employees and its mission to provide exceptional service to its clients. The NFM Family of Lenders remains committed to maintaining a culture that prioritizes employee satisfaction and engagement, ensuring that every team member feels an integral part of the company's success. For more information about the NFM Family of Lenders and career opportunities, please visit nfmlending.com/careers. About The NFM Family of Lenders NFM Lending is a mortgage lending company currently licensed in 49 states and Washington, D.C. The company was founded in Baltimore, Maryland in 1998. NFM Lending and its family of companies include Main Street Home Loans, BluPrint Home Loans, Elevate Home Loans, and Element Home Loans. They attribute their success in the mortgage industry to their steadfast commitment to customers and the community. For more information about NFM Lending, visit www.nfmlending.com , like our Facebook page , or follow us on Instagram . Company Contact: Gene DiPaula gdipaula@nfmlending.com

NFM Family of Lenders Named a Top Workplace by the Baltimore Sun for 13th Consecutive Year

OpenAI whistleblower found dead in San Francisco apartment

Sir Paul McCartney is back on home turf in the north west to prepare for four huge UK gigs to end 2024 in style. The Beatles' legend has been on the road since October on his ongoing Got Back tour across the world, including dates in South America and Europe. But there's no place like home for the Liverpudlian music legend. When the gigs were first announced, fans in Liverpool had been questioning why he would chose to perform in Manchester rather than back up the M62 this December. However, the Band on the Run star says it was an easy decision. He will perform two nights at the new Co-op Live Arena this weekend , before heading to London's 02 Arena next week. READ MORE: Huge Manchester venue responds to complaints of neighbours about "customer antics" Sir Paul told The Mirror: "Manchester is like, you know, next to my old hometown. It's a great city, and we love it really. So that's going to be good to be there. "And then London, we finish it up around Christmas time. So that's exciting. We're looking forward to London, and then that will finish this tour, and we'll all be very glad to have a nice Christmas holiday." Previously unseen pictues have today been released of Sir Paul and his band, who have been together 22 years, in rehearsals for the shows. It will see the star end the year with the four homecoming gigs, his first UK dates proper since 2018 (Glastonbury headlining performance aside in 2022). And for Beatles fans heading to the gigs there is the promise of something very special here in Manchester - Sir Paul and his late, great Beatles bandmate John Lennon harmonising on stage. He has admitted it is "very emotional" to play new Beatles track Now And Then on his current tour - because it is a "John song" and so it feels wonderful to be singing with him. Behind the scenes images of Paul Mccartney in Rehearsals for the Got Back Tour in Los Angeles, September 2024. (Image: © 2024 MPL Communications Ltd / Photographer: MJ Kim) Now and Then was released at the end of 2023, after a recording process that started in the late Seventies with a John Lennon demo, and ended with Ringo Starr and Sir Paul in the studio in 2022 finishing the song. It has been described as the last ever Beatles song and after wowing fans the world over on release, it now has two Grammy nominations. Sir Paul has been including it in all his sets on his Got Back world tour and speaking for the first time about playing it, he says: "It's really great. When you introduce a new song, even though it's an old song, like 'Now and Then', the first reaction is, people aren't quite sure what it is or what you're doing. "But during the run of the concerts, they get the idea. The word gets out on the internet, you know. So now the reaction is really strong, and for us it's great to play because it's a nice song to play, and for me, it's particularly great because it's a John song. And so it's very emotional for me. I love it. I love doing it, and the audience seem to love it too." Sir Paul, who will be supported at the UK gigs by friends and family including wife Nancy McCartney, says he does his best to keep an element of surprise, so fans coming to the shows in the coming days in Manchester won't know exactly what to expect apart from some huge singalong hits. Sir Paul in the rehearsal room for the gigs (Image: © 2024 MPL Communications Ltd / Photographer: MJ Kim) He says: "On the first night we can pull some surprises, but then the minute that gets on social media... It’s like the old comedians who used to complain that their jokes got told, so the next people who saw them knew the jokes. "I approach every show and every audience in a slightly different way depending on the location of the show, so I suppose that’s the way I change it up a little bit. "You’ll see your set list published and we’ll go, ‘Right, we’re gonna change it!’ We keep trying to be ahead of the guy who’s giving the game away. I would like it much better if people had no idea what they were coming to see, but the only answer to that is for us to make changes occasionally. So if he said, ‘They open up with this song,’ we’ll go, ‘Let's open up with a different song,’ just to prove them wrong." Recent opening songs he's played include Can't Buy Me Love in Madrid and Hard Days Night in Paris, so whatever he chooses for Manchester, Beatles fans won't need much encouragement to sing along. Looking back over the year he highlights some particularly enjoyable shows in October and those close to him who have been on the road say it is clear he still loves playing live, treating fans to shows lasting nearly three hours every night with over 35 songs. Paul Mccartney performing in Sao Paulo on 15.10.24 "The audiences in South America are insanely wonderful," he says, having played 15 shows there to over 500,000 people. "And they are so keen and crazy that we have a party every time we play to them. So it's been great." More recently he has played Paris and Madrid to incredible ovations, with fans aware that the chance to see the iconic 82-year-old does not come around too often these days. And with 12 Beatles studio albums, 26 solo albums and 22 UK number ones to his name, he has also answered the question of how you manage to choose a set list each night. Aside from perhaps some obvious hits which must stay on heavy rotation, he still likes to be inspired by culture and the world around him. Sir Paul on tour (Image: © 2024 MPL Communications Ltd / Photographer: MJ Kim) In the tour programme, Sir Paul writes: "If I see a movie and then hear one of my songs in it, I think: ‘Oh, I should do that one.’ Sometimes it will give me the impetus to actually look at that song and think of doing it. "It may even just be someone saying to me, ‘Oh, I love that song of yours,’ and you go, ‘Oh...’ They love it enough for me to think, ‘Yeah, I should do that, just for you.’ There are songs that some people say, ‘Oh, I love that one,’ and it makes a difference. That’s always happened. One of my own Wings albums, I’ll be thinking, ‘Well, it didn’t do too well, so maybe it wasn’t that good,’ and then you find some kids are playing the hell out of it saying, ‘This is a great album,’ so it gets me back into it." He adds: "I'll just hear it at a random place like you say, on the radio, at a party, and decide to include it. That's always a good feeling, it's like a little light bulb moment "ding, eurika" we should definitely try that one. That is often the way I decide how to do things, or decide what to do. You work on the setlist over time, and you finally feel you get it to a place where it’s working well. That's how we all feel on the tour now - and it looks like the audiences agree!" Sir Paul McCartney's Got Back tour ends in the UK with two dates at the Manchester Co-Op Live followed by two shows at London's O2 Arena next week. New documentary Beatles 64 is out now on Disney+

John Calipari faces familiar foe as No. 23 Arkansas hosts OaklandPermira’s Brian Ruder talks AI, Squarespace acquisition, and the value of co-leadership