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South Korea lifts president's martial law decree after lawmakers reject military rule(Reuters) - Reddit has resolved a problem with its website, the social media company said on Thursday, after an outage impacted thousands of users for about an hour. The outage began around 10 a.m. ET and affected more than 70,000 users in the United States at its peak, according to Downdetector.com, which tracks outages by collating status reports from several sources including users. "An update we made caused some instability. We reverted and are seeing Reddit ramp back up," the company said in an emailed response, a day after announcing it had fixed a software bug that was preventing tens of thousands of people from accessing the platform. Reddit's status page confirmed the latest issue that affected its website at 10:51 a.m. ET. Co-founded by Steve Huffman and Alexis Ohanian in 2005, Reddit is a platform where users share links and participate in discussions within interest-based communities called subreddits. (Reporting by Jaspreet Singh in Bengaluru; Editing by Shounak Dasgupta and Devika Syamnath)
Emboldened 'manosphere' accelerates threats and demeaning language toward women after US election
One of the primary ways in which Europe has been able to boost its economy through its relationship with China is through trade. China is a major market for European goods and services, serving as a crucial export destination for a wide range of industries. European exports to China have been steadily increasing over the years, contributing significantly to the region's economic output. In turn, this has helped to create jobs and drive growth in Europe, particularly in sectors such as automotive, luxury goods, and technology.Another significant challenge in the remaking process was the technical aspect of updating the game's engine and mechanics. The Director of Technology revealed that reworking the game's engine to meet current standards while staying true to the original vision required a tremendous amount of time and effort. "It's not as simple as flicking a switch and magically transforming the game," the Director confessed. "Each element had to be carefully analyzed and optimized to ensure a seamless and immersive gameplay experience."
On Wednesday, at Sednaya, a political prison in Syria, hundreds of people prowled the grounds. It was the third day after an astonishing rebel offensive deposed Bashar al-Assad, who had ruled as a tyrant during thirteen years of vicious civil war. After the rebels swept into Damascus, the jailers had fled Sednaya, and the prisoners had been set free. The visitors on Wednesday were relatives of men who were known to have been held there but had not reappeared. On the grass outside, burned black in places by recent fires, groups of them camped out in a grim limbo. That morning, a Turkish search-and-rescue team in blue coveralls was busy with shovels inside the darkened administration block, working at a small rectangle of dirt where a concrete slab had been torn away. Rumors persisted that there was a buried hatchway to a “red prison”—a secret underground facility where hundreds, or even thousands, of prisoners might still be alive but dying of hunger, thirst, or asphyxiation. Whether or not the rumors were true, most everyone at Sednaya seemed to believe them, and several relatives approached me to ask whether, as “a Westerner,” I could provide the technology to peer through the floors. The leader of the Turkish team told me that his group had nothing but shovels. “We are here because we want to show solidarity,” he explained, gesturing at the desperate people around him. Being entombed alive is an apt metaphor for a populace that had its civic freedoms squashed by the Assad dynasty for half a century. Hafez al-Assad, a secular nationalist from the minority Alawite sect, ran Syria tyrannically from 1971 until his death, in 2000. He was succeeded by his son Bashar, a former ophthalmologist who proved no less repressive than his father. The civil war erupted in 2011, after Bashar responded to a peaceful demonstration with deadly force. Since then, it has been estimated that six hundred thousand Syrians have been killed; some six million, nearly a third of the population, have fled into exile. Throughout the decades of the Assads’ rule, resistance of any kind was brutally quashed, and offenders were detained and tortured in a network of dozens of facilities across the country. Sednaya was the most infamous. Built in the late eighties, on a barren limestone hilltop forty minutes from downtown Damascus, it acquired such a fearsome reputation that many Syrians refused to utter its name aloud. In the first days of the war, I visited the hills nearby and spotted the complex. When I asked my driver what it was, he shook his head. Asked again, he whispered, “Sednaya” but would add only that it was a “terrible” place. Since then, as the war intensified, the prison became, by all accounts, even more terrible. In 2021, the Syrian Observatory for Human Rights calculated that as many as thirty thousand people had been executed there since the war began. But the number of people who survived within the prison’s walls was, like most everything else about it, impossible to know. When Sednaya was liberated, last weekend, some of those freed had been there for decades. One inmate had reportedly been imprisoned since 1981; he had entered as a young man of twenty-seven and emerged, a ghastly Rip Van Winkle, at seventy. The searchers who gathered on Wednesday morning, moving through dank stairwells and across the flat prison roof, were traversing a place that they could have seen only in their horrified imaginations. A militiaman in camouflage played me a cell-phone video—sent, he claimed, by a former jailer—that purportedly showed the layout of the prison and of a set of tunnels. The militiaman held out his hands uncertainly; even with the video, no one could find the tunnels. No one had even found a registry of prisoners who had been held there. I met an elderly couple from Aleppo—a man in a red-and-white-checked kaffiyeh and a woman in a dark hijab. “Where are the lists?” the man asked, and then answered himself: “There are no lists.” Moving away, he said, “All I want to know is if they are alive or dead.” For the family members who have come to Sednaya—after enduring years with no news about their fathers, brothers, sons, and nephews—any bit of evidence stirs a despairing hope, which shows plainly in their body language and on their faces. The crowd that gathered around the Turks shovelling at the floor resembled relatives of people buried in earthquakes; they watched avidly, helplessly, for any indication of life. Other visitors wandered through cellblocks, some stooping to examine the documents on prison stationery that lay everywhere. I asked one dazed-looking man about a paper in his hands. Studying it as if for the first time, he said that it had to do with food allocation—not for the prisoners but for the guards. “It says the guards have been transferred, so they don’t need the food anymore,” he said. Another visitor thrust his phone in my face. It was playing a video of a young man in shorts being beaten in a cell at Sednaya. There were vicious red welts on his body; he whimpered in fear and pain as guards struck him. For years, as reports of atrocities filtered out, Bashar al-Assad remained in power, propped up by Russian and Iranian allies. As I entered one hallway, a woman in a robe began shouting, “Now you come to look. Why didn’t you come before? Why didn’t you believe us? Why didn’t you hear us when we said they were killing us!” After a moment, she moved on, but a nearby man began shouting, too. He wanted revenge, nothing less or more. He would get a weapon and kill the Alawites—Assad’s sect, which some members of Syria’s Sunni majority see as complicit in his repression. The man vowed to kill every man, every woman, and every child he saw. A boy in a turban stood inside the barred steel door of a cell. He was looking for his brother, who had been taken, at the age of fifteen, from their family’s home in the northeastern city of Deir ez Zor. He had been gone for nine years, which would make him twenty-four now, the boy calculated. The cell floor, like all the others, was covered with unidentifiable stains and strewn with grimy gray blankets and bits of clothing. The boy looked intently at the refuse, as if expecting to see something that would help him find his brother. Up on the roof, three men pointed at a reinforced hatchway, from which a pipe protruded. Perhaps, they suggested, it was an air vent to the secret underground prison. There was a rank smell seeping from it, but it seemed like the stench of sewage, not of bodies. As I prepared to climb back down into the prison through a hole bashed through the concrete, they called out again, pointing to a hatch at the far end of the roof. Another vent there had an even worse smell—but that, too, seemed like nothing more than waste. The men went on, aimlessly looking for whatever they could find. Everywhere I went in Sednaya, it was the same story. The Syrian people had been so terrorized and disenfranchised, so thoroughly cut off from their missing relatives, that they were reduced to a kind of ad-hoc forensic anthropology. One man, who had lost two brothers and three cousins to Sednaya, told me that he had been able to visit them once, back in 2016. But he was told afterward that he could not return, and since then there had been only silence. I asked if he had tried to come back, despite the order, to check on his family members. He replied, with a stricken look, “My relatives told me not to ask about them, that it could be bad for them, and so I stopped.” As I walked down a stairwell, a young man beckoned to me, cupping his other hand over his mouth and nose. A friend of his had made a hole in the wall about six feet up and was crouched in the opening. “Please smell,” the young man asked me. This time, I thought, it did possibly smell like death. The man in the hole began tearing at the masonry and hurling aside debris. A knot of onlookers gathered, looking up through the bars of a locked doorway below. For the moment, their faces were hopeful. ♦ New Yorker Favorites A man was murdered in cold blood and you’re laughing ? The best albums of 2024. Little treats galore: a holiday gift guide . How Maria Callas lost her voice . An objectively objectionable grammatical pet peeve . 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As Oscar was laid to rest, surrounded by flowers and tributes, there was a sense of loss felt throughout the city. His presence had been a beacon of hope and inspiration, a reminder of the powerful bond between humans and animals, and a testament to the strength of the human spirit in overcoming adversity.The expulsion of Wu Yingjie demonstrates the party's determination to uphold strict discipline and fight against corruption at all levels. It sends a strong signal that the party will not tolerate any form of corruption, misconduct, or abuse of power. The party's anti-corruption campaign is ongoing, and all party members and officials must be vigilant and adhere to the highest standards of conduct.
Another factor that contributes to the popularity of 'Empress in the Palace' among Korean audiences is its stunning production values. The intricately designed costumes, elaborate set pieces, and detailed recreation of the Tang dynasty era showcase the meticulous attention to detail that went into the making of the series. The grandeur of the imperial court, the opulence of the harem, and the lush landscapes transport viewers to a bygone era, immersing them in the world of palace intrigue and power play.
As Patrick Schwarzenegger continues to make his mark in Hollywood and beyond, it is clear that he is more than just a handsome face. With his talent, ambition, and genuine spirit, Patrick embodies the qualities of a true star, and his future in the entertainment industry looks brighter than ever.The Myth of Black Heavens (黑神话), a popular Chinese role-playing video game, has recently dominated the trending topics on Weibo with its latest update. The game, known for its immersive storyline, stunning graphics, and challenging gameplay, has captured the hearts of gamers across the country. However, the most recent update seems to have taken the excitement to a whole new level."Journey of Discovery" represents a daring exploration of the blurred boundaries between the virtual and the real, a theme that resonates strongly with the younger generation who often find themselves navigating through both digital and physical landscapes. Sun Yang's character embodies this dichotomy, seamlessly transitioning between the immersive world of online gaming and the complexities of everyday existence. Through his journey, viewers are invited to reflect on the ways in which technology, fantasy, and reality intersect in shaping our perceptions and experiences.