Rajasthan tanker crash toll rises to 19Albert Einstein College of Medicine service learning course brings medical students in Bronx communities

Spain's monarch pays tribute to the victims of Valencia floods in his Christmas Eve speechEdmonton Elks re-sign Tre Ford, club says he has chance to ‘take the reins’ as starting QBOn pardons, Biden weighs whether to flex presidential powers in broad new ways

AP Sports SummaryBrief at 12:46 p.m. ESTFRISCO, Texas (AP) — The Dallas Cowboys are shutting down CeeDee Lamb with two games remaining after their 2023 All-Pro receiver spent the second half of the season dealing with a sprained right shoulder. The team said Thursday that additional exams revealed enough damage to keep Lamb off the field Sunday at Philadelphia and in the final game at home against Washington. The team said surgery was not expected to be required. Dallas was eliminated from playoff contention a few hours before last weekend's . The decision on Lamb means the Cowboys will finish the regular season with at least five former Pro Bowlers on injured reserve. Among the others are quarterback Dak Prescott, who was limited to eight games before a season-ending hamstring tear, and right guard Zack Martin. The seven-time All-Pro made it through 10 games before deciding on season-ending ankle surgery. Defensive end DeMarcus Lawrence didn't playing after Week 4 because of a foot injury, and cornerback Trevon Diggs battled a variety of injuries while playing 11 games before a knee injury ended his season. Lamb initially injured his right shoulder when it hit the turf hard twice in a 27-21 loss at Atlanta on Nov. 3. He kept playing and had at least 100 yards in each of his last two games — both victories — before getting shut down. The 25-year-old Lamb sat out the entire offseason and preseason in a contract dispute after getting career highs in catches (an NFL-best 135), yards receiving (club-record 1,749) and touchdowns (12) in 2023. The holdout finally ended with a $136 million, four-year extension in late August, but neither the Cowboys nor their star receiver could get that production going again this season. Dallas (7-8) is missing the playoffs for the first time since 2020, Lamb's rookie year. Lamb finishes the season with 101 catches for 1,194 yards and six TDs. ___ AP NFL: The Associated Press

Manmohan Singh passes away: From FDI fillip to abolishing Licence Raj – Here's 5 major reforms of ex-PM

We’re taking a look back at some of our favourite and most popular Entertainment stories of 2024 , giving you a chance to catch up on some of the great reading you might have missed this year. In this story from October, we count down the 25 best animated films, ideal for inspiration if the kids are already bored with their Christmas presents. For years it was the superheroes who were saving Hollywood. From Spider-Man to Batman to, belatedly, a few women — the comic-book movie became a multibillion-dollar ballast for a business struggling to make money in a world of streaming and smartphones. But then, like Superman faced with kryptonite, said superheroes started to weaken and their fickle audiences moved on as studio execs started to panic. Who, they gasped, would save Hollywood now? Well, step forward ... cartoons. Lots of them. In a previous life the top of the box-office charts would be full of Oscar-worthy adult movies — but the days of cinema being dominated by serious dramatic fare are long gone. Five of the top 20 highest-grossing films worldwide this year were animated — and three of those five were among the top six money-makers. Such is the domination that the biggest film this year is Inside Out 2 , the sequel starring new emotions in the teenager Riley’s brain. It was the fastest film to date to reach US$1 billion (from box offices around the world) and that’s with half the publicity of a film like, say, Barbie , which made far less money. Meanwhile, Despicable Me 4 was the third-highest earner of the year and Kung Fu Panda 4 landed at No 6. “Entering the summer, the marketplace was suffering a malaise — a year-to-date downturn with films not living up to expectations,” says Paul Dergarabedian, an analyst for the global media company Comscore. “Then family movies became the saviour of box office.” This is glorious for Hollywood. In 2020, when Trolls World Tour became the first film of the pandemic to be released at home at the same time as in cinemas, entire pricing structures fell into jeopardy. A family of four in the UK gathered around a TV would pay £20 to stream Trolls World Tour instead of north of £50 for four multiplex tickets and some overpriced popcorn and drinks. Losing that income for ever would have been fatal for the industry, but the success of Inside Out 2 and its ilk has brought back multigenerational family entertainment — something Marvel and DC superhero franchises never pulled off — when studios needed it most. Dave Holstein, a writer on Inside Out 2 , describes the film as “many movies in one. My six-year-old thinks it’s the funniest he’s seen. My mum thinks it’s the saddest. And when my son sees it again in 10 years he’ll have a whole different movie to watch.” By the end of this year the blockbusters with actual actors in them — The Fall Guy , Furiosa: A Mad Max Saga, Dune: Part Two — will be further sidelined by the arrival of Moana 2 (the first Moana earned US$600 million) and Mufasa: The Lion King (the 2019 Lion King reboot took US$1.6 billion). Even the king of rom-coms Richard Curtis is getting in on the act with a cartoon, That Christmas. And The Lord of the Rings: The War of the Rohirrim has no A-listers in sight. Yet this year’s animation boom was not nearly as bright, gaudy and empty as the film posters tended to suggest. Yes, there was dross ( The Garfield Movie ) but more interestingly, more excitingly, it has brought a sense of creative expression and exuberance, as if animation is entering its baroque phase. Lord of the Rings: The War of the Rohirrim is delivered in beautifully rendered anime, making the screen look like the best room in an art gallery; while the masterly and meaningful The Wild Robot , out this weekend, is like watching ET , Finding Nemo and Bambi as drawn by Claude Monet. Inside Out 2 had equal quality, following the rich Pixar tradition of Up, Wall-E and Soul by tackling the biggest topics — such as loneliness and death — in a way that never felt patronising. “One of my favourite films of the past 20 years is Toy Story 3 ,” Miguel Gomes, the Portuguese arthouse film-maker who won best director at the Cannes Film Festival this year, told The Film Stage. “Pixar is closer to the idea of mainstream classical cinema than most of what is made today.” And Gomes’s enthusiasm is the crux of the animation boom, explaining why the backbone of Hollywood profit shifting from superhero to cartoon will become less of a trend and more of an era. Comic-book films lost their audience in the 2020s due to creative stagnation and a dwindling interest in periphery characters ( The Flash? Ant-Man ?), yet animation is a sandbox where artists can draw what they want. Such endless ideas will always have a chance of welcoming new fans, especially those who grew up with gaming culture. This is a key factor in why animation is having a moment — because the future of cinema depends on convincing Gen Z and Gen Alpha that a multiplex remains as appealing as it did before various devices littered the home. The signs are encouraging: 37 per cent of the audience at Inside Out 2 ′s opening weekend was made up of 18 to 34-year-olds, an age group who go to the cinema without parents but, crucially, without kids. Why are they watching a cartoon? Because for younger fans animation is serious storytelling, with their most beloved yarns in gaming on Xbox and PlayStation spun via that medium. Studios know this. They have been trying and failing to bring video games to the big screen for at least 20 years, since before Angelina Jolie played Lara Croft in 2001. But rather than mimic stories, what if they tried for the essence of a video game instead? The feel and the look — the myriad possibilities? That is what we have seen in animation this year, because if studios were able to transpose what people enjoy about consoles on to the big screen, then Hollywood will own the next generation. It will save itself. The 25 best animated films ranked - from Snow White to Up The Times critics pick their favourite cartoons that you can watch now. We’re living in an animation boom. Family-friendly cartoons are taking over the box office, with two of the biggest movies of 2024 so far being Inside Out 2 and Despicable Me 4 . The Pixar film, about the emotions inside a teenager’s brain, became the highest-grossing animated film ever, raking in over US$1.6 billion since its release. And now The Wild Robot hits cinemas, a new animated film from DreamWorks about a robot named Roz. It has already been praised by critics as a masterpiece. But what’s the best animated film? Here our critics rank the top 25 of all time — from Up to Waltz with Bashir . Did they get it right? 25. Frozen (2013, Disney+) Disney spent ten years trying to adapt Hans Christian Andersen’s fairytale The Snow Queen and the result was this shimmering, frosted fantasy. It tells a simple yet compelling tale of two sisters, one with icy powers, and a snowman named Olaf who likes summer days. It has become a cultural touchstone that has spread its icy tips across the globe with merchandise, stage shows and ice shows — until Frozen 2 in 2019 it was the highest grossing animated film. Crammed with earworms, this is the movie your children won’t let you forget, no matter how hard you try to, err, let it go. 24. Inside Out (2015, Disney+) It’s a perennial question: what actually goes on inside our heads? Pixar’s imaginative film follows Riley, an ice-hockey obsessed 11-year-old, as she moves to San Francisco. But she isn’t the star of the show. Instead, viewers get a peek inside her mind where anthropomorphised versions of emotions — Joy, Sadness, Fear, Disgust, Anger — struggle to keep control. It’s an abstract premise delivered with giddy, colourful characters. The film is at once a tearjerker and pure joy. Its sequel became the highest-grossing animated film ever. 23. The Jungle Book (1967, Disney+) In 1967 Disney needed a hit: the response to the studio’s previous feature The Sword in the Stone (1963) had been lacklustre and Walt had died of lung cancer at 65 the year before. Luckily they had this lively animated adaptation of the Rudyard Kipling classic in the bag. Stuffed with exuberant characters and a jumpin’ score, this film is pure fun. The star is Baloo, the loveable bear, and his infectious track The Bare Necessities . It was the last film overseen by Walt Disney — a magical note to bow out on. 22. James and the Giant Peach (1996, Disney+) Henry Sellick’s adaptation of Roald Dahl’s classic about a boy riding in a giant, runaway peach with a crew of ugly bugs matches Dahl’s mixture of spikiness and sparkiness almost exactly — the storytelling has a helium bounce thanks to inspired voice work by Simon Callow, Joanna Lumley, Richard Dreyfuss and Miriam Margolyes. The best Dahl adaptation before Wes Anderson got to work. 21. Monsters Inc (2001, Disney+) It’s not your typical plot for a children’s film: monsters elicit screams from children to power their glistening metropolis. Yet this is packed with warmth and cheerful high energy, delivered by a hairy blue-purple monster called Sulley, voiced by John Goodman, and his green pal Mike (Billy Crystal). At its heart it’s a tale of confronting one’s fears, but it never becomes bogged down. It’s full of gleeful gags and silliness (odorants called Wet Dog and Low Tide). How did it lose the Oscar to Shrek? A travesty. 20. Fantastic Mr Fox (2009, Disney+) This stop-motion animation and ingenious adaptation of Roald Dahl’s novel comes from the mind of one of Hollywood’s most idiosyncratic directors: Wes Anderson. The director, a lifelong Dahl fan who read the book as a child in Texas, teams up with the co-writer Noah Baumbach to dream up a story that extends beyond the poultry-stealing fox (voiced by George Clooney) and greedy farmers. This is a world of misfits, disaffected parents and troubled teenagers. Plus, there’s a farmhand voiced by the pop singer Jarvis Cocker. 19. Alice (1988, Mubi) The Czech surrealist Jan Svankmajer’s stop-motion version of Lewis Carroll’s Alice’s Adventures in Wonderland is one to give even adults the jitters. Alice’s transformations unfold with the logic of a bad dream, in which everyday objects — playing cards, china dolls, croquet mallets — take on spooky life and significance. Sure, there is some live action there, but it’s directed in a way that never distracts from the spectacular animation. Knocks the Disney version into a mad hatter’s hat. 18. My Neighbor Totoro (1988, Netflix) Hayao Miyazaki’s magical film is about two sisters who move to a creaky house near the hospital where their mother is being treated. They explore a visually enchanting world of their invention, a fantasy realm with a big, cuddly forest spirit and a “catbus”. Its friendly characters delight children, but its themes of wonderment and the thrill of exploration are great enough to awaken anyone’s inner child. The stage adaptation became a monster hit in the West End. 17. Pinocchio (1940, Disney+) Walt Disney didn’t like the Pinocchio of Carlo Calodi’s source novel very much and invented the character of Jiminy Cricket to give him a conscience, thus bequeathing to the studio its theme song: When You Wish Upon a Star , sung heartbreakingly by the singer-comedian Cliff Edwards. But the film remains one of the darker Disneys, and is all the more memorable for it. Remember how terrifying it is when Pinocchio transforms into a donkey? 16. Waltz with Bashir (2008, buy/rent Apple TV) Think animation can’t tackle challenging subject matter? Just watch this haunting movie, which brings to life the dreams and traumatic memories of the Israeli soldiers who fought with Lebanese forces against the Palestine Liberation Organisation and Syria in the 1982 Lebanon war. The Israeli director Ari Folman uses his shattered recollections as a soldier during the conflict and interviews with others who were there to create a nightmarish vision, a vivid and brutal portrait of the horrors of war. Still as pertinent as ever, this is a stunning anti-war film. 15. The Wild Robot (2024, in cinemas now) Chris Sanders has crafted a joyous film — warm, wise and funny — about oddball parenting. It tells the story of a robot (Lupita Nyong’o) who is washed up on the shore and has to adapt to its new surroundings. The director has focused his movie on the emotions and experience of parenthood, particularly when those parents happen to be slightly different. Anybody who has found themselves thrust into parenthood without a user’s manual — which is to say, just about everybody — will feel understood. Knockouts don’t come much cleaner than this. 14. Watership Down (1978, buy/rent Apple TV) Martin Rosen’s labour-of-love adaptation of Richard Adams’s bestseller about a warren of Hampshire rabbits forced into exile, featuring the voices of John Hurt, Richard Briars and Nigel Hawthorne, is not for those craving Disney cuteness. It’s a bloody, tooth-and-claw survival epic, bristling with violent predators and lurking threats, aimed at old souls who can still hum the tune to Art Garfunkel’s melancholy theme song, Bright Eyes . 13. Up (2009, Disney+) Is there a more traumatic movie scene than the first ten minutes of this animation? It captures the life of Carl (voiced by Ed Asner), the 78-year-old widower, from first love to the death of his wife. Heartbreaking. Next up, an adventure to visit the mythical lost worlds of South America, courtesy of the thousands of balloons he ties to the roof of his house. His companion is a freckled eight-year-old named Russell (Jordan Nagai). The film, which opened at Cannes in 2009, has a simple message: you’re never too old for an adventure. Just wonderful. 12. The Incredibles (2004, Disney+) Brad Bird’s retro-futurist hymn to space-age architecture, Bond villain lairs, couturiers inspired by the costume designer Edith Head (“Dahlink!”) and jetpacks — what more could you want? The zippiest Pixar, as well as the funniest, The Incredibles is executed with more craft, invention and wit than most of the superhero movies it spoofs. 11. The Nightmare Before Christmas (1993, Disney+) This started life as a poem that Tim Burton wrote while working as a junior animator at Disney. It became a witty, dark, wonderfully inventive fable about a takeover of Christmas by a village of spindly Halloween ghouls. The film mixes dark barbs and twinkly charm. Burton’s Edward Gorey-style designs receive cantering accompaniment in Danny Elfman’s antic score so that the production at times seems possessed by some mischievous spirit. 10. Spider-Man: Into the Spider-Verse (2018, Neon) After a torrent of half-baked superhero films, this animation felt refreshing. Produced by The Lego Movie ’s Phil Lord and Christopher Miller, its innovative design, quick-witted humour and mind-bending storytelling took modern animation into a different universe. At the centre of the tale is Miles Morales, a Brooklyn schoolboy, who teams up with all sorts of spider heroes, including a jaded middle-aged Spider-Man and a radioactive pig. The Oscar winner for best animated feature is busy but never overwhelming. It’s zippy, entertaining — and proved there was life yet in caped crusaders. 9. Wallace & Gromit: The Wrong Trousers (1993) Before Nick Park’s work acquired the scale and spectacle of Hollywood features, The Wrong Trousers with its techno trousers and penguin arch-villain got the balance with the more humdrum, homespun elements of the series exactly right. The film may be just 30 minutes long, but it took eight months to make. And the climax, featuring a death-defying run round a train set is an unimprovable mixture of thrills and slapstick. Buster Keaton would be proud. 8. Beauty and the Beast (1991, Disney+) Howard Ashman was dying of Aids when he wrote the lyrics for this glorious film with the composer Alan Menken. The duo had resurrected Disney’s fortunes in the 1980s with The Little Mermaid , but this was their magnum opus, a tale of a headstrong bibliophile who is held captive by a beast. Steeped in enchanting moments and bursting with colourful characters, this film looks gorgeous and combines the traditions of the past with the spectacle of a Broadway musical. It earned the first best picture Oscar nomination for an animated movie, an impressive feat for a medium so often dismissed. 7. Wall-E (2008, Disney+) One small step for a robot, one giant leap for animation. Pixar’s epic space adventure, about the last robot left on Earth, was an impressive move forward in technology, proving that animation could make you forget what you’re watching isn’t real. Andrew Stanton, who started his career as a writer on Toy Story , directs the tale of a droid clearing up the mess that mankind left behind while they’re getting fat on space cruises. Much of it unfolds like a silent movie with the whirring bot’s only accompaniment, at the start, an old Betamax tape of Hello, Dolly! . The artistic risk pays off — it’s animation’s 2001: A Space Odyssey. 6. Snow White (1937, Disney+) The Citizen Kane of animated features, the one that proved that a full-length animated feature was even possible, swept along by the obsession and storytelling verve of Walt Disney. While making it, he could practically run the entire film — every cut, fade-out, line of dialogue — in his sleep. The big gamble to make this — Walt’s “folly” — paid off and more than just a film, a new form was born. Adriana Caselotti, who was the voice of Snow White, was not credited for her role. She went on to have small parts in The Wizard of Oz and It’s a Wonderful Life (singing in Martini’s bar). 5. The Lion King (1994, Disney+) Of all the more recent Disneys The Lion King is the one with the simplicity of old — it’s basically Bambi in Africa — but the desert landscapes, soaring songs and basso profundo of James Earl Jones all give Rob Minkoff and Roger Allers’s film an epic sweep worthy of that continent. So dedicated were the animators that lions were brought into the studio to study. The voice work is among Disney’s best and Jeremy Irons’s Scar the most seductive Disney bad guy since Shere Khan. 4. Spirited Away (2001, Netflix) This film, which won the director Hayao Miyazaki his first Oscar, centres on ten-year-old Chihiro, whose family’s move to a new town takes a fantastical turn. Her parents have turned into pigs and she’s soon on a journey with supernatural beings, including a six-legged man and a grotesque sludge creature in a psychedelic bath house. It knows that it’s weird, that it’s not very Disney — but that doesn’t stop us from admiring its beauty and brashness. This is animation as art and Miyazaki’s most outlandish and ambitious Studio Ghibli picture. 3. Bambi (1942, Disney+) Completed in the aftermath of the death of Walt Disney’s mother, Bambi ’s purity of line and emotion make it the most poetic of all the Disneys. The storytelling has the economy and enchantment of fable. The first Disney feature to do without humans, except as a threat, it’s a film children can just pour themselves into. They are Bambi and Thumper. Originally there was a shot in the scene where Bambi’s mother dies, but the screenwriter Larry Morey felt that it was more powerful to have it happen off screen. 2. The Iron Giant (1999, buy/rent Apple TV) The characters of Ted Hughes’s The Iron Man are transplanted from 1950s England to rural Maine with barely a scratch, unlike the crash-landed robot. Like Steven Spielberg’s ET: the Extra-Terrestrial , the film is the simplest of love stories — boy finds robot, boy loses robot, robot slowly reassembles himself screw by screw — told with such sweetness and charm you could forget there’s a cold war going on. It began as a musical with the Who guitarist Pete Townshend involved. 1. Toy Story 3 (2010, Disney+) The first Toy Story , the first computer-generated feature film, was a mix of groundbreaking tech, narrative ingenuity and heart — the space ranger Buzz proving he’s the real deal by soaring around the bedroom, or as he calls it “falling with style” — but it was Toy Story 3 that had us reaching for the tissues. There is an escape from Colditz, a great Barbie-Ken subplot (with voice work from Michael Keaton and Jodie Benson) and a backstory for Ned Beatty’s Lots-o’-Huggin’ Bear that is a small masterpiece of storytelling and heart-tugging pathos. It became the second Pixar film (after Up ) to receive an Academy award nomination for best picture. Don’t bother with the mediocre fourth film — this goodbye is the equal of the one in Brief Encounter . Pixar has taken us on a journey with these toys, and this film was a flawless conclusion. Written by: Jonathan Dean, Tom Shone and Jake Helm © The Times of London Share this article Reminder, this is a Premium article and requires a subscription to read. Copy Link Email Facebook Twitter/X LinkedIn Reddit

Article content JERUSALEM (AP) — A new round of Israeli airstrikes in Yemen on Thursday targeted the Houthi rebel-held capital of Sanaa and multiple ports. The World Health Organization’s director-general said the bombardment occurred close to where he was at the time, getting ready to board a flight in Sanaa and that a crew member was injured. “The air traffic control tower, the departure lounge — just a few meters from where we were — and the runway were damaged,” Tedros Adhanom Ghebreyesus said on the social media platform X. He added that he and U.N. colleagues were safe. “We will need to wait for the damage to the airport to be repaired before we can leave,” he said, without mentioning anything about the source of the bombardment. The Israeli strikes followed several days of Houthi launches setting off sirens in Israel. The Israeli military said it attacked infrastructure used by the Houthis at the international airport in Sanaa and ports in the cities of Hodeida, Al-Salif and Ras Qantib, along with power stations. It didn’t immediately respond to questions about Tedros’ statement. The latest strikes came a day after Israeli Prime Minister Benjamin Netanyahu said that “the Houthis, too, will learn what Hamas and Hezbollah and Assad’s regime and others learned” as his military has battled those more powerful proxies of Iran. Netanyahu monitored Thursday’s strikes along with military leaders, his government said. The Iran-backed Houthis’ media outlet confirmed the strikes in a Telegram post but gave no immediate details. The U.S. military also has targeted the Houthis in Yemen in recent days. The United Nations has noted that the targeted ports are important entryways for humanitarian aid for Yemen, the poorest Arab nation that plunged into a civil war in 2014. Over the weekend, 16 people were wounded when a Houthi missile hit a playground in the Israeli city of Tel Aviv. Last week, Israeli jets struck Sanaa and Hodeida, killing nine people, calling it a response to previous Houthi attacks. The Houthis also have been targeting shipping on the Red Sea corridor, calling it solidarity with Palestinians in Gaza. 5 journalists killed in Gaza Meanwhile, an Israeli strike killed five Palestinian journalists outside a hospital in the Gaza Strip overnight, the territory’s Health Ministry said. The Israeli military said that all were militants posing as reporters. The strike hit a car outside Al-Awda Hospital in the built-up Nuseirat refugee camp in central Gaza. The journalists were working for the local news outlet Al-Quds Today, a television channel affiliated with the Islamic Jihad militant group. Islamic Jihad is a smaller and more extreme ally of Hamas and took part in the Oct. 7, 2023 attack in southern Israel, which ignited the war. The Israeli military identified four of the men as combat propagandists and said that intelligence, including a list of Islamic Jihad operatives found by soldiers in Gaza, had confirmed that all five were affiliated with the group. Hamas, Islamic Jihad and other Palestinian militant groups operate political, media and charitable operations in addition to their armed wings. Associated Press footage showed the incinerated shell of a van, with press markings visible on the back doors. Sobbing young men attended the funeral outside the hospital. The bodies were wrapped in shrouds, with blue press vests draped over them. The Committee to Protect Journalists says more than 130 Palestinian reporters have been killed since the start of the war. Israel hasn’t allowed foreign reporters to enter Gaza except on military embeds. Israel has banned the pan-Arab Al Jazeera network and accused six of its Gaza reporters of being militants. The Qatar-based broadcaster denies the allegations and accuses Israel of trying to silence its war coverage, which has focused heavily on civilian casualties from Israeli military operations. Another Israeli soldier killed Separately, Israel’s military said that a 35-year-old reserve soldier was killed during fighting in central Gaza early Thursday. A total of 389 soldiers have been killed in Gaza since the start of the ground operation more than a year ago. The war began when Hamas-led militants stormed across the border in an attack on nearby army bases and farming communities. They killed around 1,200 people, mostly civilians, and abducted around 250. About 100 hostages are still inside Gaza, at least a third believed to be dead. Israel’s air and ground offensive has killed more than 45,000 Palestinians, according to the Health Ministry. It says more than half the fatalities have been women and children, but doesn’t say how many of the dead were fighters. Israel says it has killed more than 17,000 militants, without providing evidence. The offensive has caused widespread destruction and driven around 90% of the population of 2.3 million from their homes. Hundreds of thousands are packed into squalid tent camps along the coast, with little protection from the cold, wet winter. Also Thursday, people mourned eight Palestinians killed by Israeli military operations in and around the city of Tulkarem in the occupied West Bank on Tuesday, according to the Palestinian Health Ministry. The Israeli military said that it opened fire after militants attacked soldiers, and it was aware of uninvolved civilians who were harmed in the raid.The Shop 100: A Comprehensive Gift Guide for 2024JERUSALEM (AP) — Israel’s attorney general has ordered police to open an investigation into Prime Minister Benjamin Netanyahu’s wife on suspicion of harassing political opponents and witnesses in the Israeli leader’s corruption trial. The Israeli Justice Ministry made the announcement in a terse message late Thursday., saying the investigation would focus on the findings of a recent report by the “Uvda” investigative program into Sara Netanyahu. The program uncovered a trove of WhatsApp messages in which Mrs. Netanyahu appears to instruct a former aid to organize protests against political opponents and to intimidate Hadas Klein, a key witness in the trial. The announcement did not mention Mrs. Netanyahu by name, and the Justice Ministry declined further comment. But earlier Thursday, Netanyahu blasted the Uvda report as “lies.” The Associated Press

Former Boise State coach Chris Petersen still gets asked about the Fiesta Bowl victory over Oklahoma on the first day of 2007. That game had everything. Underdog Boise State took a 28-10 lead over one of college football's blue bloods that was followed by a 25-point Sooners run capped by what could have been a back-breaking interception return for a touchdown with 1:02 left. Then the Broncos used three trick plays that remain sensations to not only force overtime but win 43-42. And then there was the marriage proposal by Boise State running back Ian Johnson — shortly after scoring the winning two-point play — to cheerleader Chrissy Popadics that was accepted on national TV. That game put Broncos football on the national map for most fans, but looking back 18 years later, Petersen sees it differently. “Everybody wants to talk about that Oklahoma Fiesta Bowl game, which is great how it all worked out and all those things,” Petersen said. “But we go back to play TCU (three years later) again on the big stage. It's not as flashy a game, but to me, that was an even better win.” Going back to the Fiesta Bowl and winning, Petersen reasoned, showed the Broncos weren't a splash soon to fade away, that there was something longer lasting and more substantive happening on the famed blue turf. The winning has continued with few interruptions. No. 8 and third-seeded Boise State is preparing for another trip to the Fiesta Bowl, this time in a playoff quarterfinal against No. 5 and sixth-seeded Penn State on New Year's Eve. That success has continued through a series of coaches, though with a lot more of a common thread than readily apparent. Dirk Koetter was hired from Oregon, where Petersen was the wide receivers coach. Not only did Koetter bring Petersen with him from Oregon, Petersen introduced him to Dan Hawkins, who also was hired for the staff. So the transition from Koetter to Hawkins to Petersen ensured at least some level of consistency. Koetter and Hawkins engineered double-digit victory seasons five times over a six-year span that led to power-conference jobs. Koetter went to Arizona State after three seasons and Hawkins to Colorado after five. Then when Petersen became the coach after the 2005 season, he led Boise State to double-digit wins his first seven seasons and made bowls all eight years. He resisted the temptation to leave for a power-conference program until Washington lured him away toward the end of the 2013 season. Then former Boise State quarterback and offensive coordinator Bryan Harsin took over and posted five double-digit victory seasons over his first six years. After going 5-2 during the COVID-shortened 2020 season, he left for Auburn. “They just needed consistency of leadership,” said Koetter, who is back as Boise State's offensive coordinator. “This program had always won at the junior-college level, the Division II level, the I-AA (now FCS) level.” But Koetter referred to “an unfortunate chain of events” that made Boise State a reclamation project when he took over in 1998. Coach Pokey Allen led Boise State to the Division I-AA national championship game in 1994, but was diagnosed with cancer two days later. He died on Dec. 30, 1996, at 53. Allen coached the final two games that season, Boise State's first in Division I-A (now FBS). Houston Nutt became the coach in 1997, went 4-7 and headed to Arkansas. Then Koetter took over. “One coach dies and the other wasn't the right fit for this program,” Koetter said. “Was a really good coach, did a lot of good things, but just wasn't a good fit for here.” Story continues below video But because of Boise State's success at the lower levels, Koetter said the program was set up for success. “As Boise State has risen up the conference food chain, they’ve pretty much always been at the top from a player talent standpoint,” Koetter said. “So it was fairly clear if we got things headed in the right direction and did a good job recruiting, we would be able to win within our conference for sure.” Success didn't take long. He went 6-5 in 1998 and then won 10 games each of the following two seasons. Hawkins built on that winning and Petersen took it to another level. But there is one season, really one game, no really one half that still bugs Petersen. He thought his best team was in 2010, one that entered that late-November game at Nevada ranked No. 3 and had a legitimate chance to play for the national championship. The Colin Kaepernick-led Wolf Pack won 34-31. “I think the best team that I might've been a part of as the head coach was the team that lost one game to Nevada,” Petersen said. "That team, to me, played one poor half of football on offense the entire season. We were winning by a bunch at half (24-7) and we came out and did nothing on offense in the second half and still had a chance to win. “That team would've done some damage.” There aren't any what-ifs with this season's Boise State team. The Broncos are in the field of the first 12-team playoff, representing the Group of Five as its highest-ranked conference champion. That got Boise State a bye into the quarterfinals. Spencer Danielson has restored the championship-level play after taking over as the interim coach late last season during a rare downturn that led to Andy Avalos' dismissal . Danielson received the job full time after leading Boise State to the Mountain West championship . Now the Broncos are 12-1 with their only defeat to top-ranked and No. 1 seed Oregon on a last-second field goal . Running back Ashton Jeanty also was the runner-up to the Heisman Trophy . “Boise State has been built on the backs of years and years of success way before I got here,” Danielson said. "So even this season is not because of me. It’s because the group of young men wanted to leave a legacy, be different. We haven’t been to the Fiesta Bowl in a decade. They said in January, ‘We’re going to get that done.’ They went to work.” As was the case with Danielson, Petersen and Koetter said attracting top talent is the primary reason Boise State has succeeded all these years. Winning, obviously, is the driving force, and with more entry points to the playoffs, the Broncos could make opportunities to keep returning to the postseason a selling point. But there's also something about the blue carpet. Petersen said he didn't get what it was about when he arrived as an assistant coach, and there was some talk about replacing it with more conventional green grass. A poll in the Idaho Statesman was completely against that idea, and Petersen has come to appreciate what that field means to the program. “It's a cumulative period of time where young kids see big-time games when they're in seventh and eighth and ninth and 10th grade and go, ‘Oh, I know that blue turf. I want to go there,’” Petersen said. Get poll alerts and updates on the AP Top 25 throughout the season. Sign up here . AP college football: https://apnews.com/hub/ap-top-25-college-football-poll and https://apnews.com/hub/college-footballNetanyahu blames Labor over synagogue fire

Daily Post Nigeria EPL: Danny Murphy urges Liverpool to sign Chelsea star as Alexander-Arnold’s replacement Home News Politics Metro Entertainment Sport Sport EPL: Danny Murphy urges Liverpool to sign Chelsea star as Alexander-Arnold’s replacement Published on December 26, 2024 By Don Silas Former Liverpool star, Danny Murphy has urged the Reds to sign Chelsea full-back Malo Gusto as Trent Alexander-Arnold’s replacement should the England defender leave Anfield at the end of the season. Alexander-Arnold’s current contract with Liverpool will expire at the end of the season. Liverpool are yet to extend his deal and as a result, the right-back has been linked with a move to Real Madrid in the summer of 2025. However, Murphy believes Gusto would be a perfect replacement for Alexander-Arnold. “My gut feeling is that he’s going to go. I think if he were to stay that would probably have been sorted by now,” Murphy told MyBettingSites. “They should have tied him up a long time ago. It is a difficult one and quite unusual for Liverpool to have let this one happen. They should learn from it and it shouldn’t happen again.” He added, “Malo Gusto would be a very interesting option but I don’t see how Chelsea would let him go. “He’d be perfect but I don’t see Chelsea letting it happen where he walks out of the door and joins their competitors.” Related Topics: Alexander-Arnold chelsea Danny Murphy EPL liverpool Don't Miss EPL: Chelsea’s title hope takes hit after 2-1 defeat to Fulham You may like EPL: Chelsea’s title hope takes hit after 2-1 defeat to Fulham EPL: Guardiola reacts to Man City’s 1-1 draw with Everton EPL: Haaland misses penalty as Man City fail to beat Everton EPL: Silva lauds Iwobi for selfless Christmas gesture EPL: Man United legend slams Rashford for saying he’s ready to leave Old Trafford EPL: People waiting for something bad to happen to Pep Guardiola – Maresca Advertise About Us Contact Us Privacy-Policy Terms Copyright © Daily Post Media Ltd

Ruben Amorim urges Man Utd to ‘run like mad dogs’ in bid to turn season roundVivek Ramaswamy doubled down on DOGE's calls to eliminate the Consumer Financial Protection Bureau. He wrote on X that the CFPB overstepped its authority with its recent rule to limit overdraft fees. The CFPB's rule still allows banks to charge overdraft fees, and the bureau has previously pushed back on DOGE's claims. Vivek Ramaswamy is pointing to a government agency's latest rule to give Americans banking relief as an example of why the office should be eliminated. Advertisement Ramaswamy, who Donald Trump chose along with Elon Musk to make spending cut recommendations with a new Department of Government Efficiency, posted on X on Thursday that the Consumer Financial Protection Bureau has exceeded its authority with its recent rule to limit overdraft fees . "The new administration can & should nullify this overreach, but we must go further: this latest gambit of the CFPB is just a symptom of a deeper (and unconstitutional) cancer of unelected bureaucrats substituting their policy judgments for those of Congress," Ramaswamy said. "That's un-American & needs to end." Advertisement While DOGE is an advisory commission and does not have the power to eliminate agencies or cut spending on its own, it is in the position to make recommendations. Now both leaders have said the Trump administration should " delete CFPB ," as Musk said in November. Ramaswamy's post refers to a rule the CFPB finalized on December 12 that would require banks to limit overdraft fees — the amount charged to customers when they attempt to spend more than their balance. The agency estimated that the new rule would save Americans up to $5 billion each year, or $225 per household. "The CFPB has heard from tens of thousands of Americans who are sick and tired of paying billions in junk fees," Allison Preiss, a CFPB spokesperson, told Business Insider in a statement. "This rule is common sense and long overdue, and it's unclear why big banks are scared to be transparent with their customers about the interest rate they're charging on overdraft loans." Advertisement The rule updates federal regulations for banks with over $10 billion in assets, including major institutions like Bank of America and Capitol One. Banks can now choose between two options to address overdraft fees: They could implement a $5 cap on fees, or they could set their fee at an amount necessary to cover the bank's costs and losses. Banks earning profits off of overdraft fees would also be required to disclose the terms of the fees, as they already do with credit cards and other types of loans. The CFPB took action against Wells Fargo in 2022 after the bureau said it charged consumers surprise overdraft fees, which resulted in $205 million in refunds to impacted consumers. Other federal agencies, including the Federal Trade Commission and the Department of Transportation, have also taken steps to ban hidden and excessive fees. The CFPB is no stranger to criticism. The Supreme Court in May rejected a conservative-led lawsuit that sought to dismantle the CFPB's funding structure. The lawsuit argued that Congress should have to approve annual funding for the agency rather than it receiving funding in perpetuity. Since its creation in 2011 in the wake of the financial crisis, the CFPB has received funds directly from the Federal Reserve, allowing it to carry out its functions independently of the political appropriations process. Advertisement Along with the CFPB, Trump, Musk, and Ramaswamy have called for eliminating other federal agencies including the Education Department, the Internal Revenue Service, and the Environmental Protection Agency. It's unclear how far DOGE will succeed in its efforts to eliminate agencies like the CFPB. However, Rohit Chopra, the head of the CFPB, warned Musk and Ramaswamy in an interview earlier this month with MSNBC that axing the agency is "begging for a financial crisis" and would have dire consequences. "I don't understand why people would want financial crime," Chopra said, "and if they say it's duplicative, who else will do it?"